Jail Bait

An Italian referee demoted and exiled to the remote island of Sardinia finds out what it takes to handle a real match

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

The life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

Eleventh episode in 'The Telephone Girl' 2-reel comedy series.

The crotchety dean of Pinkham University blames the "bad behavior of the school's female students on a dress shop owned by Helene, and informs her he's shutting her shop down. Meanwhile, her boyfriend Napoleon has invented a plaster that restores youth. The dean accidentally sits on the plaster and reverts back to his younger days when he himself used to chase college girls. Complications ensue.

An off-the-wall comedy set around the dinner table. What at first glance seems like an awkward 'meet the parents' situation for Dade Klublershturf quickly turns into a game of cat and mouse between Nazis, his boy genius younger brother, Ollie, and a time machine (disguised as an Atari joy stick) the Nazis are trying to capture from him.

A young woman tries to go to Paris, but her garden and the whole village is flooded with water.

Charley's battle-axe mother-in-law breaks up his marriage and tries to separate him from his son. Charlie abducts the boy for a father-son outing to the beach. The mother-in-law pursues and comedy ensues.

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.

This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.