Merry Go Round of 1938

Amalio and Florencio are two cabaret artists who divorce their wives and stay with custody of their children. An unscrupulous cheat the two rent both of them the same dilapidated house. There will have to live both trying to get ahead as a team of magicians who happens to be a failure. But thanks to the ideas of their children, both parents are a couple of musical comedy that, despite initial failures, is a great success with the participation of the kids. Moreover Amalio and Florencio try to flirt with girls that are radically different from their wives but the kids will all the impediments that have no future.

A rich man's son runs for student president at the local high school, and the father tells the school principal that if his son wins, he'll make a sizeable donation that will cover the football team's uniforms.

A musical comedy about a rich girl Jenny who falls in love with a a poor but beautiful singing hairdresser's assistant.

The upright prof. Filippo Bottini Said Pippo is an "old-fashioned" teacher in a Roman school. He would like a Heart book-style school but clashes with the harsh reality of modern teaching and in particular with the turmoil of the seventies: strikes, occupations, armed students, feminist colleagues. Overwhelmed by events, he will find himself more and more in the maelstrom of the post-1968 protest until he becomes a drug courier. He will be arrested and incarcerated, but thanks to the release on bail provided by his colleague Lalla, with whom he had in the meantime started a relationship, he will be able to redeem himself.

Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to friction as the other two increasingly feel left out of things.

A woman runs away with her music teacher in order to escape an arranged marriage, but they struggle to make ends meet.

The continuation of Musical Utena ~ Bud of the White Rose that tells the events of the Black Rose saga.

In a musical retelling of the Cinderella tale, a mistreated scullery maid escapes the oppression of her stepfamily to finding love with a prince.

Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.

A princess is thrust onto the world stage. The tabloid media is captivated by her beauty and vulnerability. The globe's most celebrated monarchy is disrupted. This is the story of the most princess woman of the modern age as she struggles to endure a spotlight brighter than any the world had ever known.

Shapely burlesque dancer Hot Garters Gertie aka Angela Gardner meets her future drama professor. Her new landlady proves to be the professor's wife. Angela helps breath life into the annual school stage show...but someone has discovered her secret past.

A wild-partying flapper marries a cowboy and tries to adjust to life on a western ranch.

JIMMY hates musicals. When EUGENIUS – the cosmically charged, all-singing, all-dancing musical Godfather – tap dances into Jimmy’s tedium, Jimmy is swept off to a magical theatre realm and told he is destined to become the Greatest Musical Star of all time! But Jimmy’s aversion to the melodic art runs far deeper than mere dislike. In order to save the world from a tuneless future, Jimmy is forced to confront a buried childhood trauma… MUSICAL STAR! is a charming, entertaining comedy for everyone who ever loved, or hated musicals. A tale of magic, optimism and… childhood trauma, MUSICAL STAR! dares to ask the question, When everything’s so crappy what’s wrong with being happy?

Starring Bing Crosby as himself in a short comedy/romance telling a tale of mistaken identity. Two-reeler; directed by Mack Sennett

A prisoner about to be pardoned puts it off until he can put on one last variety show for his fellow inmates.

American theatrical manager discovers Greta Muller preparing for the Olympics in Switzerland and brings her to Madison Square Garden.

Erie Canal, N.Y., 1850: Molly Larkins, cook on Jotham Klore's canal boat, has a love-hate relationship with her boss. She hires handsome new haul-horse driver Dan Harrow and the inevitable triangle develops (complicated by Dan's desire to farm and Molly's to boat) against a background of the canalmen's fight against the encroaching railroad.

An aspiring actress is offered the lead in a major new play, but discovers that her mother, a more seasoned performer, expects the same part. The situation is further complicated when they both become involved with the same man.

Ricardo, the milquetoast son of a Mexican bandit, would rather lead a quiet life in Boston. But the family would rather that he follow in his father's footsteps and become "The Kissing Bandit".

When the representative of the Paris International Dance Exposition arrives in New York to invite the Academy Ballet of America to compete for monetary prizes, the taxi driver mistakenly brings him to the Club Ballé, a nightclub on the brink of declaring bankruptcy. The owners, Terry Moore and Duke Dennis, jump at the chance to go, despite being aware of the mistake. They hire ballet teacher, Luis Leoni, and his only pupil, Kay Morrow, to join the group, hoping to teach their two dozen show girls ballet en route to Paris by ship. Also going along and rooming with Kay is Mona, Terry's ex-wife, who wants to keep an eye on her alimony checks. Naturally, Kay and Terry fall in love.