Reckless Ranger

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners - Andy Clyde, Jay Kirby and Russ Wade - ride into Rockford and innocently takes jobs with Tug Wilson and his tough crew of line riders, who are in cahoots with Yeager in a big land swindle scheme.

One man wants to control all the land in the state to graze all his cattle. His band of outlaws are raiding ranchers and homesteaders, trying to drive them out. Rocky and Fuzzy are brought in to help stop the raiders and keep the land for the small ranchers and homesteaders.

Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.

Gare uses the knowledge that his wife Amelia was imprisoned and had an illegitimate son to make her his subject. When her son Marc Jordan appears and falls in love with her daughter Judith, Amelia is forced to tell the truth. Gare then tyrannizes Judith. She tries to escape, but a fatal accident occurs first.

Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

Hammond is after the Craig ranch and has framed Charlie Craig for murder. Mother Craig brings in the Range Busters. They capture one of Hammond's men and Alibi plans to trick him into a confession as to who the real murderer is. Meanwhile, Denny has overheard Hammond's plans for his next move and he and Crash set out to round up the gang.

The story of a drifter named Paul who arrives in a small town seeking revenge on the thugs who murdered his friend. Sisters Mary Anne and Ellen, who run the town's hotel, help Paul in his quest for vengeance.

Third in a series; flashbacks remind us of the beef El Charro had with Carlos from his home town. While they move toward a final showdown, Carlos and his new evil buddy Rodolfo kill a couple more people just for kicks.

Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.

A honest cowboy is falsely accused of the murder of a rancher.

Outlaws are in control of the land so the town of Clayton City writes the governor for an honest marshal. That marshal is Frank Lane, who brings his son Rocky with him.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.

After a card shark is caught cheating, he is taken out and lynched by the drunkards he was playing against. Soon afterwards, the men who were in the lynch mob start being murdered, one after another; all by hanging.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

In this western, a cowpoke gets in an argument; a scuffle ensues leaving the cowboy to believe that he killed his opponent. He is so wracked with guilt that he travels to the ranch of the dead man's sister, gives himself a new name and begins helping her. Rustlers come; he stops them. Trouble ensues after she learns his true identity. A scuffle ensues. She wings him with a gun; he disarms her. Later she hears the real murderer bragging about his crime during a fight with the hero.

Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face -- and Tom will stop at nothing until he brings him to justice … and exacts vengeance.

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.