Wild Horse Rodeo

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.

Anna Sewell's classic 1877 novel beautifully comes to life in this family drama set in England. Told from the point of view of Black Beauty himself, the story sheds light on the details surrounding the colt's birth and his perception of humans (he has various owners throughout his life). While some owners are compassionate -- none more than Joe Evans (Mark Lester), the boy who first owns the colt.

America's favorite singing cowboy Gene Autry stars in this vintage tale as an up-and-coming rodeo singer caught in the middle of two rival companies, both angling to ride the talented crooner to riches. Featuring several memorable musical performances from Autry, including renditions of "Forgive Me" and "In Old Capistrano," this rousing Western co-stars Smiley Burnette, Virginia Grey and Lucien Littlefield.

Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.

"King of the Cowboys" Roy Rogers stars with his real-life wife, Dale Evans, in this Western about a hardworking farmer who helps a struggling rancher by transporting her prize horse to Mexico. A fortuitous meeting with a fortune-teller (Charlita) -- who specializes in dire predictions -- sets the tone for their adventures. Burlesque comic Pinky Lee co-stars, playing himself.

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.

A girl goes on vacation to the mountains where she finds a wild horse named Hacksaw. With a little help, she captures the stud and it doesn't take long until the man who helped her starts wagon racing, since Hacksaw refuses to have any man or woman on his back.

On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.

After a payroll robbery the Mesquiteers catch up with the gang. But the members escape, the gang leader is killed, and they end up with only the leaders young son who is quickly sent to a work farm. They adopt the boy hoping to learn where the money is. Just as their kindness is about to pay off a gang member takes the boy away forcing him to retrieve the money. - Written by Maurice VanAuken

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

Brown arrives in the town of, yes, Gunsight, in the company of saddle pal Raymond Hatton. Like a new broom, Brown sweeps clean, going after the town's corrupt element.

When Professor Marsh disappears while searching for the lost city of Lukachukai, his daughter enlists the help of the Three Mesquiteers.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the lowlands to earn enough money to get the farm back on its feet.

This Columbia western starring Charles Starrett finds Steve Randall (Charles Starrett) forming a radio show with Jimmy Wakely (Jimmy Wakely) and his Saddle Pals, and are in town for a rodeo. Reporter Connie Pearson (Constance Worth) persuades them to visit Marty Jones (Elvin Fields), a fatherless boy, who has been sent to a boy's home after stealing Steve's wallet, ran by Tom Goodwin (Forrest Taylor.) Marty tells Steve that the home is a phony and is a front for cattle rustlers. Steve passes the information on to Connie, who doesn't believe him, so he and Jimmy wire the ranch for sound. They are caught and Goodwin turns them over to Sheriff Barnes (Edmund Cobb), and then plans to skip the country

Gabby doesn't want to breed his horse the Golden Sovereign with Roy's. When Sovereign and Roy's horse escape, the Sovereign gets shot accidentally by Skoville but Roy is blamed and jailed. A year later Roy returns with Trigger, the son of the Sovereign. When Skoville reveals he was present when the horse was shot, Roy sees an opportunity to clear his name.

Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents -- the city-loving Fred and country-happy Alice -- constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.