Dead Men Are Dangerous

LATE NIGHT (2018) is a contemporary neo-noir short film depicting a single night and morning in the life of a first-time contract killer. With virtually no dialogue, it aims to visually illustrate and probe themes of conscience, greed, guilt, and the interplay between fate and circumstance.

Raoul Leduc is a police inspector trailing a spy who plots to kidnap an important American atomic scientist. Joe Victor a gangster who is hired to carry out the abduction, balks when he learns what is at stake and helps Leduc out instead.

A Texas oil driller schemes to steal millions of dollars in oil.

Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.

A newsman tracks down a phantom killer of murder-trial jurors.

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.

The daughter of a Nevada casino owner gets involved with a racketeer, despite everyone's efforts to separate them.

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Agnes "Astra" Huston, a fortune teller at a run-down fair, is found strangled in her bedroom. As the police question five suspects, their interactions with her are shown in flashbacks from their point of view.

A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"

It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.

A security leak is found at a Southern California atomic plant. The authorities stand in fear that the information leaked would go to a hostile nation. To investigate the case more efficiently, Dan O'Hara, an FBI agent, and Philip Grayson, a Scotland Yard sleuth, join forces. Will they manage to stop the spy ring from achieving their aim?

A young femme fatale realizes that the man she married is an incorrigible wastrel.

A daily news editor recalls a married detective and the deadly woman behind his downfall.

Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.