Cattle king wants Reagan's small ranch, and Latina beauty Lola McLaughlin. His men kill Reagan's pregnant wife. Reagan leaves his tin badge on Consuela's grave, and with Winchester, scattergun, and Colt, rides alone against a hundred.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99
A veterinarian and a novelist compete for the heart of a lady rancher.
Peggy Barlou is a young rancher who refuses to sell her spread to greedy stage-line proprietor John Rankin. Tex Haines, meanwhile, is accused of killing Bill Dugan, Rankin's bodyguard, but eludes capture long enough to hook up with Dave Wyatt and Panhandle Perkins, a couple of rangers in disguise.
A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run her ranch. Then she finds out about his past.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the lowlands to earn enough money to get the farm back on its feet.
Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents -- the city-loving Fred and country-happy Alice -- constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
In this western, an innocent saddletramp is blamed for killing a man. Fortunately he finds the real culprit before it is too late.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Western tale of a special agent (Bill Edwards) unravelling a series of rustlings on and around Cooley's dude ranch
In this musical short, Cliff Edwards and his cowhands run a struggling dude ranch. When a pretty girl arrives, Cliff believes she is an heiress.
Jimmy Wakely and Dusty, traveling with the medicine show owned by "Lasses" White, stop at the Ferguson ranch and find the rancher and his wife killed. They take the Ferguson baby to their camp, where outlaws Joe, Slick and Pete attempt to kidnap the baby, while Dusty is reporting the murders to Sheriff Beasley and town mayor Melinda Pringle. Wakely and his singers hide the baby from its legal guardian, Doc Judd Thomas, as they suspect him of being connected with the Ferguson murders.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.