Thou Shalt Not Kill

Jim Hanvey is a genial but top-notch detective who has retired to his country home. An insurance company hires him to find a missing emerald so they won't have to pay out the $100,000 for which the jewel is insured. It doesn't take him long to find the emerald, but he discovers that finding it was the easy part; the difficult part is getting it back to its rightful owner, and he winds up involved in a murder in which an innocent man is framed.

Career criminals and a local youth carefully plan and rehearse the robbery of a Missouri bank.

By a daring ruse and inside help, Pete Rennick, a noted criminal behind bars on federal charges, escapes from the prison, and all of the law-agencies and local police are out to catch him with roadblocks and every car searched, but the escapee gets away. Bill Hasford, a private detective, investigating a racket finds it leads to the wanted man, and has the biggest adventure of his career.

A controversial, low-budget drama about the life of a young teenage girl that goes on the "road to ruin." Sally is a 16-year-old New York City teen who, neglected by her parents, takes up smoking and drinking, engages in affairs with a series of older men, gets arrested by the police during a strip poker game, is sent home only to discover later that she's pregnant, and after getting an illegal abortion, the words "The Wages of Sin is Death" inexpliably appear over her bed in fire.

Berlin provides the backdrop for this crime drama that centers on a military doctor falsely accused of dealing illegal drugs. Determined to prove his innocence, he escapes from the MPs and ends up holing up in the apartment his wife rented. He doesn't know that she has sublet the flat to a nightclub singer. When he finds out, he begs the singer to assist him. She is attracted to him and agrees. The doctor believes that his wife is behind the black-market dealings, but in the end, they find the real culprit.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Detective Inspector Campbell (Gordon Jackson) looks into the murder of a teacher at a girls school where there are a number of suspects, including her colleagues and the married man she had been seeing.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

Two narcotics agents go after a gang of murderous drug dealers who use ships docking at the New York harbor to smuggle in their contraband.

'Rocks' Owen, the well-off owner of a car-hire business, is found murdered; the last place he was seen alive was the Blue Parrot nightclub. Scotland Yard go in to investigate, with the help of a visiting American detective and a nightclub hostess who may not be all she appears to be.

Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.

Three bad girls - a down-and-out stripper, a drug-running killer, and a corporate powerbroker - arrive at a remote desert hideaway to extort and steal $200 million in diamonds from a ruthless underworld kingpin.

Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.

Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison.

A crusading psychiatrist battles a sadistic female warden to improve conditions at a women's prison.

Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.

David Bono is a hitman hired to target Orshanabi Nazzar, a high-ranking priest-bureaucrat in a temple corporation in the fictional city of Babylonia (Brussels-based). The corporation has invented a way to avoid death by recording people's lives. While gathering information and preparing for the job, David meets Ellie, with whom they slept together. However, Ellie is a member of a cult called Children of Ishtar, and David's job would interrupt their life-recording ceremony. Facing an obsessive dilemma, David tries to find a way to do his mission without killing Ellie. First, he tries to convince Ellie not to attend the ceremony, and then he hires a local crook to kidnap her while he does the job. After the successful job, Ellie frees herself from the kidnapper, discovers the truth, and leaves for Akkadia. Meanwhile, David calls to receive the rest of his payment but gets ambushed by the contractor.

In the 17th century, seven swordsmen join their forces to save the villagers from a manipulating General who bans martial arts.

The relatives of a rich old woman unsuccessfully try to have her declared insane, so they can divide up her money. To show them that there are no hard feelings, she invites them to her estate for the weekend so she can decide to whom she actually will leave her money when she dies. Soon, however, family members begin turning up dead.

A henpecked husband tries to help his daughter marry the man she loves and his wife loathes.