This tale of two tugboats focuses upon the rivalries between two operators competing to win a major shipping contract. Meanwhile a tugboat office secretary and an ex-con who wants to go straight, fall in love. Tugboat Annie is put in charge of a child violinist. When a waterfront fire breaks out, the two warring captains join forces to put it out.
A young man with a checkered past struggles to make good as a fireman.
In wartime England, circa 1941, poorly-armed tugs are sent into "U-Boat Alley" to rescue damaged Allied ships. An American named David Ross arrives to captain one of these tugs. He's given a key by a fellow tugboat-man -- a key to an apartment and its pretty female resident. Should something happen to the friend, Ross can use the key.
A tugboat captain serves under his rival as a U-boat chaser in World War I.
Tugboat, the Narcissus, is owned and captained by Annie Brennan, and among her crew are her alcoholic but good-natured husband, Terry, and her conscientious son, Alec. Annie continually loses business because of Terry's drunken mistakes. Alec wants to quit school to work on the tug full time, but Annie will not sacrifice her son's education. A grown Alec has followed in his mother's footsteps and becomes a mariner, but a more upscale one as the captain of a luxury liner. Alec returns home with his fiancée, Pat - the boss' daughter - with a grand plan to save Annie from the life that drunkard Terry has provided her. But ultimately, it's Annie and Terry that need to be Alec's savior, and by their move show him the meaning of true commitment.
Mickey is performing routine maintenance on his tugboat (with interference from a pelican) when a call comes on the radio that there's a sinking ship needing assistance. Sadly, Mickey's crew consists of Donald and Goofy, so getting underway to help is not easy. Goofy has to fight a boiler's door to get it stoked with coal (and when he succeeds, he overfills it) and Donald gets tangled up in the machinery. Not to mention that nobody casts off, so they drag half the dock along with them. The overworked boiler soon explodes.
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.
TUGS: A Bigg Retrospective is the definitive film telling the story of how the 1989 cult classic series 'TUGS' was brought to our TV screens, and how it survived beyond its premature end.
Musical biography of Irish 19th century tenor Chauncey Olcott.
In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.
Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!
A sealed ancient Mayan cave would be blown open unleashing Xtabai to wreak havoc on the world and destroy civilization. She begins by infecting the inhabitants of a nearby village with a terrible and deadly fever. The government responds by placing the village under quarantine. A team of students along with their teacher escape into the jungle to find a cure, guided only by a dream. They go deep into the bowels of the Mayan underworld, hunted by Xtabai herself. Will they ultimately succeed in defeating the evil Xtabai and saving mankind from her curse? How many will live to tell the tale?
How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.
Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.
Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.
A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.
Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.