Charley's Aunt

Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Otto Dernburg is forced by circumstances to dress up as a middle-aged woman.

Charles and Peter have passed their law degree and are looking forward to wooing a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles's aunt from Brazil. Ditlev has a talent for acting and takes the role very seriously, but when Charles's real aunt turns up, things get complicated.

Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.

Pista Rácz, bearer of the title "outstanding workman" is opposed to all forms of sport, and is especially antagonized by Jóska Teleki, a first-class sportsman, who seems to be a drawback for Rácz's brigade in terms of work quantity performance figures.

Investment advisor Stefan Lohmann has defrauded master butcher Waldemar Pückler of five million euros. He therefore wants to travel to Munich to meet the 'cattle baroness' Lucia d'Alvarez and do business with her. Lohmann also travels to Munich to go into hiding. He meets Lucia and falls in love with her, but then has a momentous encounter with his victim.

Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.

He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight

To take a revenge on countess Laura, who slapped him at his proposal, the Governor of the occupied Poland gets her fall in love with a poor student, and exposes him during wedding banquet.

In the summer of 1942 two young boys are sent to stay with their stern grandmother Kurnitz and their childlike aunt Bella in Yonkers, New York.

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.

During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.

Alfalfa's weird aunt Penelope pays a visit. She's working on a murder mystery novel, but Alfalfa thinks she's trying to murder him. It's up to the Spanky and the gang to save him.

Jeff Wilson, the owner of a small circus, owes his partner Carter $10,000. Before Jeff can pay, Carter's accomplices steal the money so he can take over the circus. Antonio Pirelli and Punchy, who work at the circus, together with lawyer Loophole try to find the thief and get the money back.

In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially by her snobby cousin Barbara. When the entire family is invited to a major social ball, Barbara sees to it that Connie is forced to stay home. With the aid of her uncle, who acts as her fairy godfather, Connie makes it to the ball and meets her Prince Charming in Ted Drake, her cousin's boyfriend.

A young woman at a girl's school in Switzerland makes up stories about and writes herself letters from an imaginary explorer-adventurer father, and is eventually put in a position where she has to produce him. Interesting things happen as she talks a visiting Englishman into helping her out.

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract.

During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.