They had a date with fate in Casablanca!

Drama Romance
102 min     8.2     1942     USA


In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.


barrymost wrote:
"Everybody comes to Rick's," or so they say. It's the middle of WWII, and one evening a certain lady walks into Rick Blaine's popular cafe. As the familiar notes of "As Time Goes By" drift through the hazy atmosphere of the cafe, Rick's life begins to get really complicated. The top-notch cast is, I think, a big part of what makes this film so memorable, and much-heralded through the years. The script is truly well-written and moving. My only complaint is, how could they do something so awful as killing off Peter Lorre within the first quarter of the film? Would I recommend? Overall, yes. There's a reason people cite this as one of the best films ever made. Though there are others I like much more, it is very, very good.
John Chard wrote:
You must remember this... Are my eyes really brown? Casablanca is one of those films that needs no introduction - or in truth - any more in-depth dissection as to its worth. Over the years it has become one of the most quoted ever pictures (sometimes wrongly), and in reality it's arguably more iconic than it is a work of art. Although a truly "A" list production for 1942, fact is nobody in and around the film expected it to be anything other than a good piece that will put bums on the seats in the theatres. Solidly received on release and riding in on the wave of the Allies inroads into North Africa, Casablanca steadily overcame the much discussed production troubles (the script was practically rewritten daily) to be where it is now, one of the most loved film's of all time. I wouldn't mention Paris, it's poor salesmanship! So what is it about Casablanca that makes it so cherished and adored by each and every generation?. I just know that each time I view it (yearly) it's like falling in love again, each viewing brings a new and emotionally driven fulfilment. Tears flow, sad ones and happy ones, an overriding feeling that romantic idealism isn't dead, to which Casablanca becomes my personal myth buster. Thematic redemption brings a joyous reward, even as our daydreams about lost chances and lost loves hangs heavy in and around Rick's Café Américain. Everything about Casablanca is right, from the flawless direction (Michael Curtiz) to the iconic music, and of course the magnificent characters that are brought to life by the incredibly tight and effective cast. It may not be the greatest film of all time, but to me, and those who let it into their lives, it's one of the best friends anyone could ever hope to have. 10/10