Because of the poor employment situation in Finland, many families and single people decided to move to Sweden to seek employment in the 1960s and 70s. The move was considered temporary and it affected people’s ways of making themselves at home in the new country; they did not even try to adapt or learn the language of the country. At that time, the nicknames “Finnjävel” and “Hurri” were well-known to Swedish-Finnish youngsters: In Sweden, they were regarded as Finns; and the other way around. As neither nation’s citizens approved them as their own, the Sweden Finns had to create their own identity. But what kind of lives do these immigrants’ children and grandchildren live today? Jonas Karén was born in a Finnish family in Husby’s suburb 1980.
Green lights dance across a star-filled sky, and snowflakes sparkle on the trees. It is little wonder Lapland is famous as a realm of elves and flying reindeer, the magical home of Santa Claus. This northernmost region of mainland Europe, however, is a real place, with real animals such as reindeer, Great Gray owls, wolverines, eagles, wolves, musk oxen and Brown bears who live out their lives in the tundra and forest.
Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.
A story about Europe´s largest terrestrial mammal and their potential return to Swedish forests. The audience also meets Rikard, the main caretaker of Avesta Visentpark and who shares his inner reflections and hopes regarding the future of the European bison.
By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.
At the height of the cold war a struggle broke out between Governments from all over the world as to which position to take about the system of apartheid in South Africa. Leading the fight was Olof Palmes' Swedish Government, which covertly funneled over US$ 1 billion to the resistance movement. This money was given without the knowledge of either the Parliament or the Swedish populace. At the center of the net in South Africa was a Swedish diplomat called Birgitta Karlström Dorph. Meanwhile at the UN the Swedes with their Scandinavian counterparts attempted to win the argument for economic sanctions. This led to bitter arguments which saw Palme leading the fight against the Reagan and Thatcher administrations.
A portrait of Maggie, through Swedish everyday life. Maggie always co-ordinates high heels with a beret, and she loves gold. She lives on the 15th floor in one of Malmö’s suburbs. Her balcony is littered with reminders of her previous life. Under a golf bag, next to a racing ticket from 1999, are the remains of a pigeon that she killed when she couldn’t sleep.
Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.
The tragedy of Eva-Marree, deprived of her children for prostitution then killed by their father. In a convincing indictment, director Ovidie denounces the abuse of power by a supposedly protective Swedish state.
Set 70 million years ago in the Cretaceous period in North America, this animated docu/drama follows the journey of a young Edmontosaurus named Scar and his herd as they migrate south for the winter. This film depicts recent findings about Dinosaurs, such as Tyrannosaurs with feathers.
Atrabilis
Livet är kort, konsten lång – filmen om Åke Göransson
Crackoholic , by Jonas Paulsson and Mikael Widerberg, is quite different to most other climbing movies. The style is somewhat similar to that of the classic Hard Grit, in that it provides a historical perspective to the climbing of the area. In this case Bohusln on the Swedish west coast. We also get to meet and listen to some of the climbers who, through the decades, have been important to the development, of difficulty as well as ethics, and hear their thoughts on climbing and risk. As would be expected, these thoughts range from profound to cliche. Of course, there's also a lot of climbing, from moderates to FA's of cutting edge "death" routes.
Josephine has all her life been told that her Peruvian aunt Augusta died in an armed struggle for the rights of the poor. As an adult Josefin decides to find out the truth about the legendary Augusta.
Ghost Rockets centers on human desire to explore and explain the unknown. The film weaves together an ambitious UFO investigation with a personal story that gives a rare insight into the hearts and minds of a UFO-investigator. Every year, the organization UFO‐Sweden receives numerous reports about inexplicable occurrences ‐ usually dismissed as having to do with the moon, airplanes, satellites or mental instability on the part of the witness. Sometimes, though, they get a report that they are unable to explain, one of them being the story of the ghost rocket.
This definitive music documentary, featuring a greatest hits soundtrack and bounty of classic performance clips, provides an inside look into how Swedish pop group ABBA's music was made, as the former members and various colleagues tell their story from pre-ABBA days onward.
Writer Stig Claesson and director Lars Lennart Forsberg travel around Sweden during the summer to see if the country that people imagine it to be actually exists.
After the death of her father, Christina is a Swedish queen in her childhood. As a young woman, she leaves the throne, changes to the Catholic faith and escapes to Rome. The life of Queen Christina of Sweden (1626-1689), her power and her self-interest fascinate the world to this day. The documentary drama explores the history of the unadjusted queen in Stockholm and Rome, which is still a model for many feminists.
Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
Three miles north of Molkom, hidden deep in the lakeside forests of Sweden, lies Angsbacka; a 21st Century playground for adults. Once a year, their gates open to a thousand international participants, placed in 'Sharing Groups' at random. A Swedish celebrity, a Californian hippy, a Finnish grandmother and a back-packing Australian rugby coach, who stumbled on the wrong party, are amongst the group that take us on an unforgettably quirky, two-week emotional roller-coaster. Firewalking, Shamanism, Tantric Sex and myriad other physical, psychological and esoteric experiences, guide our unlikely heroes towards enlightenment, love, loathing and themselves. Will they ever be the same again?