Irish Eyes Are Smiling

On a famed salsa club's closing night, a whitewashed American born teen must learn how to dance from his salsa singing uncle in order to impress the girl of his dreams before the club closes forever.

When some jerk punches Peter Bell after a well-choreographed musical number about the joys of Christmas, Peter finds himself humiliated and unsympathized by his friends and family.

Santa sends Peter Bell (Dom Fera) off on a mission to New York City! Chelsea Warson (Samantha Clark,) a once-great Bringer, has lost the spirit of the season, and it's up to Peter Bell to help her find it again!

In the new film, TNT will again rethink its favorite plot in its signature style and show many stars in the most unexpected images. There will be jokes on current topics and musical numbers that will be organically woven into the narrative.

In the final, climactic musical finale to the Deck'd series, 18-year-old Peter Bell finds himself revelling in his new Christmas celebrity status. But when Peter's Christmas-adventuring pal, Hark the Herald Angel, is accused of a heinous Christmas crime, Peter lets his ego get the best of him, and finds himself arrogantly standing up to the laws of Santa Claus himself!

In the 1980s, the musical and futuristic teacher Clara Celeste arrives at a school surrounded by bullying problems driven by issues of ethnicity, sexuality, gender, physique, and behavior. With the teacher's help, a group of students are finally able to find their voice and experience empowerment, with the freedom to live as they wish. Despite this, prejudice still surrounds the school, always seeking to intimidate the students. To win this battle against intolerance and censorship, the group will need to stick together and believe in the power of change.

A woman in a troubled marriage falls for a former teen heartthrob who's fallen from industry favor, while having nagging (and empowering) hallucinations about fronting an 1980s new wave band.

After a toxic childhood under an abusive father. Chandhu became an extremely violent person. But after a point, his aggressive ways become a headache for his family, and he decides to stay away from any sort of violence to keep a promise to his mother. But will that promise hold?

In this satirical twist on classic movie musicals, a young lady must choose between love and social pressure when her late fiancé requests her virginity from beyond the grave.

This song-and-dance musical follows the journey of an island girl with a natural gift for dancing as she navigates through life in the city to follow her dreams and find love along the way.

A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.

A crew of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right to woo the star of the Folies Bergere, Gaby Aimee, with her garter serving as proof of conquest. Meanwhile Frank has found the one girl-of-his-heart, Patty, and this serves to complicate matters.

The Rainbow Man is a 1929 black and white American musical film.

An adaptation of the 1886 musical “Alice in Wonderland: A Dream Play for Children” by Henry Saville Clark and Walter Slaughter, Fotopoulos’ feature length film propels the Clark/Slaughter score into the 21st century digital age. Sculptures, drawings, text, and original music are used to explore the late 19th century’s evolution of painting, literature, and theatre into early photography and moving pictures. The piece probes the interplay of art and science and in exploring these ideas certain lives and themes are touched upon – the relationship between John Ruskin and Lewis Carroll, Ruskin’s theories on drawing, Thomas Eakins’ painting and his use of photography, the burgeoning of early cinema with Eadweard Muybridge and Etienne-Jules Marey, notions of amateurism and professionalism in art and the archetype of the condemned artist. The work is presented in two acts, remaining faithful to the musical’s original construction based upon Carroll’s narratives.

Baba Shamal and Looti Heydar, two community leaders of adjacent neighbourhoods make a pact of fraternity. Baba Shamal's high attitude of Heydar however dramatically changes when he is told that Heydar has been enamoured with Shokat, the girl Baba Shamal has just wed,...

In present-day Los Angeles, controversial stand-up comedian Henry McHenry and internationally renowned opera singer Ann Defrasnoux form the façade of a happy couple in the spotlight. Ann gives birth to a baby girl named Annette, who possesses an exceptional gift that will change all of their lives forever.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Harold May, an excellent Jewish-American tap dancer, on tour in Europe with his company, receives an offer from a German that is difficult to pass up: a large sum to put on a show in Berlin. The German does not know that Harold is of Jewish origins; the year is 1937 and, once they arrive in Germany, the company discovers that he will have to perform in the presence of Adolf Hitler.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.