South of Dixie

Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank. He considers Frank a straight shooter and he goes easy on the story. Every other paper goes with the story that Frank took the money and Brad is demoted, by the publisher, to the Heartthrob column - writing advice to the lovelorn. After feeling sorry for himself for two months, he takes the column seriously and makes it the talk of the town. But Brad still wants his old job back so he will have to find Canfield and the missing money.

Living in Paris, journalist Bernard has devised a scheme to keep three fiancées: Lufthansa, Air France and British United. Everything works fine as long as they only come home every third day. But when there's a change in their working schedule, they will be able to be home every second day instead. Bernard's carefully structured life is breaking apart

The conflicting views of two leading citizens in a small town are reconciled when they come across a promoter who is planning to defraud the town. He is reformed by the daughter of one.

A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

A crusading newsman starts up a tabloid with a gangster as his 50-50 partner.

Burdened by a family secret, Adam White lands a job as a newspaper advice columnist. Little does he realize that it's all part of a nasty desire by cynical editor William Shrike to crush the souls of his underlings. Adam feels his readers' pain, and eventually, he takes an assignment to meet with Faye Doyle, who is exasperated by her crippled husband. When Faye tries to seduce Adam, he must choose between his job and his girl.

Hard-boiled newspaper reporter Larry Doyle (Robert Armstrong) goes a bit too far in celebrating a work bonus and wakes up on a train bound for St. Louis with only a buck on his person. To remedy the problem, Doyle pawns the revolver he's carrying. When the gun is subsequently used in a murder, Doyle's problems only multiply. In the meantime, he's also fallen in love with a comely stranger (Maxine Doyle) he convinced to impersonate his wife.

A blundering rookie reporter runs into some unexpected difficulty when he is assigned to cover the police beat.

In this mystery, a newspaper executive and three of his colleagues conspire to have the owner of the highly-respected London Sun committed to an insane asylum. The hapless publisher manages to escape. Soon after, the four collaborators begin dying one-by-one. Oddly their obituaries appear in a rival publication before they are actually killed.

During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.

Ex-convict Hank Rogers is searching for his brother Jim, a newspaperman, and becomes involved with a group of people trying to conceal the death of the president of a large corporation so they can profit financially. With the aid of the dead man's daughter, Audrey Brandon, Hank exposes the crooks.

Two rival newspapers are engaged in a circulation battle, complicated by the fact that a vicious gangster inserts himself into the middle of it. Also complicating matters is that one newspaper's editor and circulation director are competing for the affections of a pretty blonde reporter.

A rookie reporter in pursuit of an expose gets tangled up with big-time mobsters.

Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger's niece

A pickpocket falls in love with a newspaperman. When he is sent off to war and she disguises herself as a boy, joins a gang and sets out to save him.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

Peter Reynolds stars as Rex Banner, a newspaperman who makes it his life's mission to track down a vicious gang of thieves. When his informant winds up dead, Rex finds himself framed for murder.

After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.

Newspaper men compete against each other to find a serial killer dubbed "The Lipstick Killer".