In this western, an innocent saddletramp is blamed for killing a man. Fortunately he finds the real culprit before it is too late.
This western features a singing cowboy, a brave hero, and a bumbling sidekick who band together to defeat a ruthless range boss.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
Six wanted outlaws are rounded up and captured by the Cheyenne Kid. Collecting the reward money, Cheyenne instructs his sidekick Fuzzy Q. Jones to give the money to a group of financially strapped ranchers. Alas, Fuzzy falls off his horse, loses his memory, and forgets what became of the money.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.
In this western, the hero fights the bad guys by impersonating the son of a rancher. The outlaws have been making the good landowners pay fake taxes. Not only does the good guy succeed in catching the bad guys, he also catches himself the postmistress.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.
Peggy Barlou is a young rancher who refuses to sell her spread to greedy stage-line proprietor John Rankin. Tex Haines, meanwhile, is accused of killing Bill Dugan, Rankin's bodyguard, but eludes capture long enough to hook up with Dave Wyatt and Panhandle Perkins, a couple of rangers in disguise.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
A singing rodeo rider takes a job at an all-female dude ranch, where he gets involved with a physical trainer and a treasure hunt for gold in a ghost town, leading to a showdown with kidnappers.
On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.
Desperate for money, a rancher decides to trap and sell wild horses, using barbed wire. The local Navajo tribe tries to persuade him not to do it.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
Cowhand Drake discovers gold on the ranch of his boss, Joe Stuart and makes a deal with crooked lawyer Mel Porter to induce Stuart to sell. The latter refuses, and also orders Bill Cameron not to see his daughter Laurie again. Foreman Johnny Mack, after intervening, quits after he sees Stuart hit Laurie while quarreling over her proposed marriage to Cameron. Peddler Alibi Terhune witnesses the killing of Stuart by Clem Kettering, hired by Porter, and is taken prisoner. Cameron is blamed for Stuart's killing, escapes jail, but is persuaded by Johnny to go back and stand trial. Johnny rescues Alibi and the two work together on clearing Cameron's name, and bringing the real culprits to justice.
When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.
As Bruce Lanning posts a "no trespassing" sign at a watering hole on his Circle A ranch, his sister Jane rides up with news that Wes Caven, the hired gun of the Elwood brothers, is looking for him. Soon after, Wes appears and kicks over the sign. Later, Sunset Carson, Wes's boyhood friend, rides into town to invite Wes to become a partner in his new ranch. Just as Wes declines the offer and offers Sunset a job working for the Elwoods instead, Bruce bursts into the saloon, demanding to see Frank Elwood. Not to be confused with the 1950 John Wayne film of the same name