Brothers in the Saddle

Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.

Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...

An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband.

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners, Andy Clyde (Andy Clyde), Jay Kirby (Jay Kirby) and Russ Wade (Russell Wade), ride into Rockford and innocently takes jobs with Tug Wilson (Jack Ingram) and his tough crew of line riders, who are in cahoots with Yeager (Hal Price) in a big land swindle scheme.

Sampson Moses, the corrupt mayor of Brambles, Texas, hires a deadly gunfighter to remove orphaned landowner Billy, since a railroad company wants his land. Tough lawyer Neil Morris tries to settle things peacefully to no avail.

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

On the run after committing murder, an accountant encounters a strange Native American man who prepares him for his journey into the spiritual world.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

Lightning Carson's nephew has been falsely accused of murder. To get in with the gang, Lightning poses as a Mexican. He also appears as himself making his costume changes at his sister's ranch. Just as he about to bring in the gang, a henchman finds evidence of his masquerade and arrives to expose the hoax.

Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

Delos is a futuristic amusement park that features themed worlds populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.

One man wants to control all the land in the state to graze all his cattle. His band of outlaws are raiding ranchers and homesteaders, trying to drive them out. Rocky and Fuzzy are brought in to help stop the raiders and keep the land for the small ranchers and homesteaders.

Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.

In this western, a hero prevents a stagecoach robbery and wins the respect and confidence of a mine owner and a pretty woman who is going west to see her sister. Two outlaws next try to jump the miner's claim.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.