Buckaroo Sheriff of Texas

Cisco and Pancho set out to clear their names in a series of stage robberies committed by two thugs who are impersonating them.

This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)

Lleno de ruido y dolor

Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.

When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.

John Breen (John Wayne), a Kentucky militiaman falls in love with French exile Fleurette De Marchand (Vera Ralston). He discovers a plot to steal the land that Fleurette's exiles plan to settle on and aims to foil it.

A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.

A drifter hobo is falsely accused of killing a saloon owner

In the days of the California Gold Rush of '49, Sandy is at odds with his partner, Falloner, over the latter's heavy drinking.

Rangy Pete Grainger is a cowboy who saves a rancher and his daughter from being kicked off their property by the ubiquitous evil landlord.

When Silent Sanderson's brother kills himself over the rejection of a woman, Silent blames Judith Benson and leaves the family homestead to begin a new life in Alaska. He is later reunited with Judith Benson, only to discover that his brother didn't commit suicide at all but was murdered by the woman's jealous husband.

Buck Minor was the most detested man in Wolf Hollow, partly because he was quarrelsome and treacherous, partly because he abused and neglected his little wife, Molly, whom all the camp adored, and for whose sake it tolerated Buck.

In an effort to reach his wife's deathbed, Kirby is forced to kill a man in self-defense. He is arrested by Selwyn, a member of the North West Mounted Police, who allows him to say a last farewell to his wife. After visiting his wife's deathbed, Kirby eludes Selwyn and becomes a fugitive from the police. Each year he returns to visit his son and, during one of his sojourns, meets Margy, a little farmhouse servant who has run away from her life of drudgery.

O Filho Adotivo

This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.

Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap.

Three young women who posed as the daughters of an elderly homesteader find out that he has been falsely accused of murder, convicted, and sentenced to hang. They hatch a plot to smuggle him out of prison.

Halstead forces the Land Agent to alter the records and then kicks the Mexicans off their land. Buck has been sent to investigate and quickly joins up with Juan Cantova in the fight against Halstead. To keep Buck from seeing the records, Halstead has the Agent murdered. His men then claim Juan killed him and both Buck and Juan then find themselves wanted dead or alive.

The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for their mother's funeral, and discover that the family ranch is now in the hands of Morgan Hastings, the town's gunsmith.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.