Outlaw Gold

US marshals Ken, Hoot and Bob stop a gang dressed as Indians from robbing the stage. After getting repairs at the relay station, but before they get to town, another trap is set, but they get away. In town, they search the stage and find nothing. But hidden in the axle grease can are diamonds. Polini wants them cut into smaller diamonds so that he can easily dispose of them. Throughout this Western, the courageous trio faces off against cunning opponents, including the gang's merciless leader (Ian Keith) and an unsuspecting banker (Karl Hackett).

After bank robber Bob Hackett (Don "Red" Barry) learns that his real father was a marshal, he reforms and travels with his pal Buckshot (Wally Vernon) to Santa Fe, where his father was killed. When he stands up to rustlers working for Henry Jackson (Herbert Heyes), Hackett is made the new marshal.

Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyoming, standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Story of the gold strike on an immigrant's property that started the 1849 California Gold Rush.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

After striking gold in Alaska, the romantic George sends his womanizing partner Sam to bring his fiancée up from Seattle. When Sam finds that she has already married, he returns instead with Angel, a dancer originally from France.

A widow hires an ex-gambler to retrieve gold bars from a sunken river boat in Colorado and discreetly return them to the Federal Mint, from where they had been stolen by her dead husband.

The irrepressible Donald Barry is twice falsely accused of murder in this typical low-budget but well-mounted Republic Western. Barry plays Jim Randall, a lawman assigned to investigate a series of gold shipment robberies. Arriving in the middle of a hold-up, Randall finds himself accused of killing the driver (Yakima Canutt). Wells Fargo agent Cal Chambers (Milton Kibbee) vouches for his innocence, however, claiming him to be a noted geologist. Along with several of the prospectors, Jim devises a plan to prove that Jud Parker (Harry Worth) is using his dummy mine as a cover for stealing ore.

Wild Bill Hickock (William Elliott), aka The Peaceable Man, meters out justice in the tough town of Deadwood in this highly fictional western from Columbia. Unlike the historic character, Elliott's gunfighter survives his encounter with the South Dakota hellhole, where he arrives to aid beleaguered livery stable owner Clint Wilson (Richard Fiske) and his sister, Madge (Dorothy Fay), in their battle against self-appointed town czar "Flash" Kirby (Arthur Loft). But before he gets that far, there is a little matter of proving Kirby guilty of wrongdoing and to achieve that, Wild Bill earns the enmity of both the Wilsons.

A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own.

US marshal Sundown Jim Majors main purpose in life is to bring a deadly frontier feud to a peaceful end. This requires him to clean out the local criminal element, which he does with determination.

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.

In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

Johnny Mack Brown and Raymond Hatton return to the screen as saddle pals Nevada and Sandy in Monogram's Pals of the Border. In this one, our heroes are US marshals, hot on the trail of cattle rustlers.

Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.

A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.

A Secret Service agent goes undercover to unmask the leader of a gang of diamond thieves.