Gift im Zoo

Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.

This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world's richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.

The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.

The film is about a ship that is abandoned by its owners in the port of Hamburg, about its crew, who find themselves in a rather desperate situation, and about a journalist whose talent is little appreciated by television, but all the more appreciated by a secret service agent.

Reporters Peter Drante and Conny roam Hamburg’s Reeperbahn at night, uncovering three intertwined tales: Lilli, a aging dancer, searches for her missing husband who once shot her in a jealous rage; multimillionaire Alexander Borgess faces blackmail over past indiscretions; and Karin Thorwaldt seeks Borgess’s aid to secure her fiancé’s acceptance by her conservative father.

Willi is 18 years old and lives on the street. Without a goal in his life he walks around the city and meets several people, helping but also cheating him. When he meets a girl, Monica, he realizes that there are people out there whose lives are even more desperate than his. So he's trying to help her (and him) by planning a great robbery on a supermarket's money transporter.

Angels of the Street or The Angel of St. Pauli is a 1969 West German crime film directed by Jürgen Roland and starring Horst Frank, Herbert Fux and Werner Pochath. It is set in the St. Pauli red light district of the port of Hamburg.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

A series of bizarre deaths shock the city of Hamburg: Mummified corpses are discovered in school basements. The local police enlist the help of Germany's most popular case analyst, Martin Gaitner. Inspector Danowski can't stand his colleague and doubts his theory of a lone perpetrator who was traumatized at school.

Dr. Gorman is a millionaire adventurer, traveling the world in search of dangerous game. His bored, beautiful, much younger wife entertains herself in the arms of other men. In turn, Gorman uses his animals to kill these men. When a New York City zoo suggests a fundraising gala, Gorman sees a prime opportunity to dispatch the dashing Roger and anyone else who might cross him.

Two cops portrayed by Michelin Men chase an armed Ronald McDonald through the streets of a fictionalized, stylized city.

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

Rough-and-ready vice detective Perrak has to follow a 1000 leads during the investigation of a trans murder case. In a profoundly mysterious massage parlor he meets industrialist wife Claire Imhoff, who knows more about the crime than she wants to admit.

An eleven year old girl can talk to animals. When a thief causes trouble in the local zoo, she comes to the rescue.

A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.

When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.

The sad morality tale of the Holstein blonde Renate, who, after being raped, leaves the farm to become a prostitute. In Hamburg she shoots the murderous pimp, in Instanbul she falls in with drug dealers, temporarily she falls for a released convict...

A tour of the zoo, in typical Tex Avery style: a series of one-liners and sight gags, punctuated by Egghead teasing a lion at intervals, despite the admonishments of the narrator.

Arne and his younger brother Malte run the scrapyard they inherited from their parents on the outskirts of Hamburg and live a rather disoriented existence. One day, Malte finds an abandoned baby. He immediately takes the little one to his heart and wants to look after the child until he finds the birth mother. His brother Arne doesn't like the idea at all, but Malte wants to go through with the plan and even threatens to sell his brother the scrapyard. Disgruntled, Arne finally agrees and, as Malte is fully occupied with caring for the baby, sets off on a laborious search for the raven mother.

Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation.