On the run after committing murder, an accountant encounters a strange Native American man who prepares him for his journey into the spiritual world.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.
A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
A singing cowboy roams the Wild West with his sidekick, dancing horse and fancy wardrobe.
James Kincaid controls the local water supply and plans to do away with the other ranchers. Government agent Sandy Saunders arrives undercover to investigate Kincaid's land swindle scheme, and win the heart of one of his victims, Fay Denton.
Outlaws are in control of the land so the town of Clayton City writes the governor for an honest marshal. That marshal is Frank Lane, who brings his son Rocky with him.
A honest cowboy is falsely accused of the murder of a rancher.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.
Outlaw and self-appointed lawmaker Judge Roy Bean rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by.
As prisoner Ed Archer is being transferred, the stage is attacked and crashes. Archer escapes the attackers but Ranger Rocky Lane catches up with him. As Rocky is bringing him in, Archer is attacked again. Somebody wants Archer killed and Rocky, now suspecting Archer is innocent, decides to find out who and why.
Cavanaugh and McCauley are after the ranchers land. When the Government announces the land will be put up for auction, the ranchers pool their money only to have it stolen by Cavanaugh's men. They then plan to sell their cattle but Cavanaugh announces a fake gold strike and the cowhands all leave. But Gene's hobo friend the Judge says he will get the cattle to market and he sends out a signal to his hobo friends.
A singing cowboy and his sidekick encounter misunderstandings and rodeo havoc as they try and save a man and daughter from con men.
A singing cowboy clears a boy accused of murder by finding the real killer.
During a shootout in a saloon, Sheriff Hunt injures a suspicious stranger. The doctor's assistant, wife of the local foreman, tends to him in prison. That night, the town is attacked and they both disappear—only the arrow of a cannibal tribe is found. Hunt and a few of his men go in search of the prisoner and the foreman's wife.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
Radio star Gene Autry returns to his home town of Gold Ridge at the request of his old friend Pop Harrison, who wants Gene to straighten out his wayward son, Tex Harrison, whose gambling and drinking threaten to bankrupt the rodeo organization which he heads. News photographer Clementine "Clem" Benson and reporter Hack Hackett are ordered to follow Gene. The group finds quarters at the "Bar Nothing" dude ranch, winter quarters for Tex's rodeo group, and Tex soon tangles with Hackett in a quarrel.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide – a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.