The Gambler from Natchez

Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

In a small western town in the late 1800′s, two outlaws take a blind preacher, his wife and an Indian girl as hostages in their flight from the law. Excitement mounts when Dan, one of the outlaws makes a shocking discovery. The last train to Cortez lays bare the agony that torments Dan but the train brings an unexpected surprise.

In Kansas during the middle of the Civil War, John Golden is left for dead and his family has been killed by the ruthless Confederate outlaw William Quantrill. Rescued by runaway slave Joshua Brown, Golden is determined to get revenge. With the help of a legendary gunfighter and a special gun, Golden must not only deal with Quantrill and his men, but has to dodge General Custer and his army, as well.

William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

Elliott is hunted by Curtis who has spent six years behind bars because of his testimony. After knocking out several baddies and putting up with the zany antics of his sidekick Taylor, Elliott guns down his antagonist, but Luana Walters, the girl he almost marries, will not abide a gunslinger so Elliott is compelled to ride off alone into the sunset once more.

Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.

Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.

Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.

A Mexican bandit is about to be executed in the United States, so his brother takes over a train and holds the passengers as hostages unless his brother is released. Now both the Americans and Mexicans are baffled as to what to do. One of the passengers — who wrote the letter for their captor — has a suggestion: call mercenaries Hank Brackett and Johnny Reech. They do, and as expected they do come up with a plan, but the president of the railroad is not sure if it will work.

A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.

When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Unfairly exiled from her home and marriage, Verna must find common ground with Beatrice, the woman she hates, to survive the Harsh Wilderness of the Old West.

In the 1870s, two rival businessmen, Zack Thomas and Joe Jarrett, on a stagecoach heading to Galveston, Texas, must pull together to protect $100,000 from an outlaw named Matson. Once in Galveston, however, their rivalry continues, as Thomas joins up with Elya Carlson and Jarret with Maxine Richter. But Matson is still on the loose, and a scheming banker threatens both Thomas and Jarrett.

The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.

A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.

A man seeks revenge on the bigot who shot his wife to death in 1880s Texas.

A group of women contracted a strange fever and a former sheriff is responsible for taking them to the hospital in the nearest town, but in their way they will encounter a gang of murderers. His only hope is a woman whose beauty is matched only by his skill with weapons.

An orphaned young girl conjures an executed soldier back from the dead, and together they deliver hell in the Blackfoot territory of the late-1800s.