Return from the Sea

Jewel thieves, murder, and a manhunt swirl around a sailor off a cargo ship in post-war London.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

A sailor prone to violent outbursts is sent to a naval psychiatrist for help. Refusing at first to open up, the young man eventually breaks down and reveals a horrific childhood. Through the guidance of his doctor, he confronts his painful past and begins a quest to find the family he never knew.

The son of a miller, following his call, flees to the sea, but after several years he returns to his family and to his childhood romance, Hanka.

Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.

The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British retribution, and the epic voyage of Lieutenant Bligh to get his loyalists safely to East Timor in a tiny lifeboat.

Sailor Joe Hart, who is spending his shore leave at a gambling joint, sells his gun to young Laurie Roberts after losing terribly. After Hart again loses his last dime, he leaves the joint and steals a car in order to return to his ship. Later that night, a tough gambler named "The Weasel" convinces Laurie, who also lost badly, that Baldy, the joint's owner, is crooked, and they both return to the joint to break open the safe. During the holdup, The Weasel kills Baldy with Joe's gun and, after being picked up for speeding, Joe is arrested for murder.

Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.

While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.

A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.

On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don't approve of him at all. Their daughter takes offense at this, and in the ensuing argument she storms out of the house determined to live on her own.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.

La Madonnina de' marinai

A young sailor saves a woman from drowning. The woman turns out to be a rich heiress; unfortunately for the sailor, she was only pretending to be drowning so that another young man she had her eye on would save her.

I Faresonen is a combination of a documentary and fictional approach to the problem of alcoholism -- or alcohol dependency. Tackling a problem common to other Nordic countries as well, director Bjoern Breigutu has focused on the life of sailors, among others, and how alcohol is used or abused in that sector of the population. This was the Norwegian entry at the 1961 Berlin Film Festival.

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.

A young sailor falls in love with a mysterious woman performing as a mermaid on the local pier. As they become entwined, he comes to suspect the woman might be a real mermaid who lures men to a watery death during the full moon. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.