In this feature film based on the hit animated series, the third graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance and Phillip, and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy spirals into a call to wage war on Canada and Terrance and Phillip end up on death row, with the kids their only hope of rescue.
When a man leaves his mistress to care for his seriously ill mother, the apartment becomes a battlefield between sexual manipulation and death, which stubbornly does not hurry to come.
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
In a small border town, a sheriff and his 'associate', involved in an operation in which they divert marijuana through the border, must kill another smuggler who has gone into business for himself.
A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
Before World War II, Swedish workers had to deal with low wages, scarce work, and the extensive importation of foreign labor, particularly for the purpose of breaking strikes. This did not make foreigners of any stripe very popular, and those from "guest worker" countries were particularly disliked. In this film, set in 1938, a half-Polish boy goes to Poland in search of his mother, runs into financial and psychological difficulties there, and is sent back to a Swedish mental hospital. In another story, an unfortunate woman suffers a miscarriage and ends up at the asylum where the Polish boy is being kept.
In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
A young man is on a quest to beat the game and rescue the Little Match Girl from the hands of the corporation that operates the game, but can he succeed?
A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?
Ambitious businessman Shyamalendu enjoys showing his visiting sister-in-law, Tutul, the extravagant life he leads with his wife. But Tutul is less than impressed with the trappings of wealth.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
A silent woman returns to the same park bench every day, where life and death quietly intersect in a ritual of flowers and waiting.
War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2000.