110 min
7.3
1964
United Kingdom
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox -- and obliterate the world's economy.
Overview
Reviews
Potential Kermode wrote:**James Bond wears a strap on plastic seagull hat**
This entry is widely recognised as the template for all the Bond films that followed - and we can see why in the opening sequence. James Bond ( Sean Connery) in disguise wearing _a strap on plastic seagull_ on his head.
It's a Roger Moore Bond movie nine years before Roger Moore! I love the ludicrous Bond movies such as Goldfinger and Octopussy - two of my favorites. Octopussy has Roger Moore _riding a plastic crocodile_ and Goldfinger has _Sean Connery wearing a strap on plastic seagull hat!_
_Thunderball_, a year later, continued the ludicrous fun with Connery's Bond riding a jet pack and fighting cross dressing assassins.
It's a shame that in 2006, the franchise died and became something utterly bland with the advent of the Craig era.
- Potential Kermode
John Chard wrote:Bond, Bowler Hats, Galore and the Man With the Midas Touch.
Goldfinger is directed by Guy Hamilton and adapted to screenplay by Richard Maibaum & Paul Dehn from the novel written by Ian Fleming. It stars Sean Connery, Gert Frobe, Honor Blackman, Shirley Eaton & Harold Sakata. Music is by John Barry and cinematography by Ted Moore.
Operation Grand Slam.
Connery's third outing as James Bond sees 007 investigating the movements of wealthy gold dealer Auric Goldfinger (Frobe). Little does 007 or MI6 know, but Goldfinger is hatching a master plan that will spell disaster for the world's financial climate.
Undeniably the turning point in the James Bond franchise, Goldfinger is also one of the most fondly remembered by the cinema loving public. Here is when Bond not only went go-go gadget crazy, but he also impacted on pop culture to the point the waves created are still being felt today. Bond traditionalists are often irked by the mention of the change Goldfinger represents, and with just cause, because this really isn't Fleming's core essence Bond. Bond has now become a gadget using super agent, a man who laughs in the face of death, a quip never far from his lips. Yet the hard facts are that this Bond is the one the world really bought into, ensuring for the foreseeable future at least, that this type of Bond was here to say. Marketing was high pitched, fan worship became feverish and the box office sang to the tune of $125 million. Toys, gimmicks and collectables would follow, the Aston Martin DB5 would become "The Most Famous Car in the World", in 1964 Bond truly became a phenomenon.
Purely on an entertainment front, Goldfinger delivers royally, the sets, casting and the high energy set-pieces all seep with quality. This in spite of the actual plot being one of the weakest in the whole franchise. As great a villain as Auric Goldfinger is, with a voice dubbed Frobe simply joyous in the role, his motives are rather dull and hardly cause for some worldwide Bondian panic. But the film rises above it to the point it only really registers long after the end credits have rolled. We have been treated to Odd Job (Sakata instantly becoming a Bond villain legend), that laser, the DB5 and its tricks, the delicious Honor Blackman as Pussy Galore (still an awesome name today and still sounding like a character from a Carry On movie), the golf match, Shirley Eaton's golden girl and the ticking time bomb finale played out during the chaotic scenes involving Ken Adam's brilliantly designed version of Fort Knox.
Bond staples also serve the production well, the title sequence is neatly strung together as scenes from the movie play out over a writhing golden girl, who was model Margaret Nolan and who briefly appears in the film as Dink. The theme tune is a blockbuster, sang with gusto by Shirley Bassey and the locations dazzle the eyes as we are whisked to Switzerland, Kentucky and Miami. Stock characters continue to make their marks, with M, Moneypenny and Q (setting in motion the wonderful serious v jocular axis of his "to be continued" relationship with Bond), starting to feel like old cinematic friends. Only let down is Cec Linder's turn as Bond's CIA counterpart, Felix Leiter, gone is the swagger created by Jack Lord in Dr. No, and while Linder is no bad actor, he doesn't sit right in the role, he's looks too world weary. A shame because he is integral to how the plot pans out.
Director Guy Hamilton was helming the first of what would end up being four Bond movies on his CV, he made his mark by bringing more zip and quip to the Bond character. Connery was firmly ensconced in the role of Bond, he was a mega star because of it, but cracks were beginning to appear in how Connery viewed this gargantuan success and the impact it was having on his hopes to be viewed as a serious actor. However, he was signed up for Thunderball, the next James Bond adventure, and Terence Young would return to the director's chair, could they top the success of Goldfinger? 9/10
Wuchak wrote:_**Iconic 60’s Bond film**_
Released in 1964 (or January, 1965, in the USA), "Goldfinger" was the third Bond film in three years. This was the film that pushed 007 over-the-top and is rightly considered a classic. It's very iconic of mid-60's cinema -- the title song, the gold-painted woman, Oddjob's deadly hat and the breaking into Fort Knox. The next two films in the series are just as great and IMHO better -- "Thunderball" (1965) and "You Only Live Twice" (1967). "Thunderball" made more at the box office than any other Bond flick from the Connery era and "You Only Live Twice" upped the ante with the action & spy stuff and is just all-around entertaining.
Yet "Goldfinger" continues to be the Bond film that's most highly regarded of the 60s and this should be respected. But don't expect the wall-to-wall action that was introduced with "You Only Live Twice" and remains to this day. Yes, "Goldfinger" has some quality action sequences, but less than what you'd typically get from a 007 flick post-"Thunderball.” In fact, one clash in the film is a simple game of golf between James and Goldfinger (Gert Fröbe). An earlier scene involves Bond forcing Goldfinger to lose a card game. This doesn't make "Goldfinger" bad, of course, just different. "A View to a Kill" (1985) is notable for the same reason.
Other positives include a fairly long sequence in the magnificent Swiss Alps, where it was shot, and quality Bond women like Shirley Eaton (the ‘golden girl’) and brief appearances by Margaret Nolan (Dink) and Nadja Regin (Bonita); Honor Blackman is cool as Pussy Galore, but she never tripped my trigger.
Despite all the good, there are some negatives. For instance, the gas fly-over by Pussy Galore's girls and the falling-over of the troops comes off lame. There's also a little too much "down time" in the second half that's not all that interesting.
Nevertheless, "Goldfinger" is a James Bond classic, full of iconic imagery and scenes. When it was released it was extraordinary, but it may now strike some viewers as tame or even lame in ways. Regardless, it's definitely a worthy Bond flick and has its unique charm.
The film runs 1 hour, 50 minutes, and was shot in Miami Beach, Florida; England; Switzerland; and Kentucky.
GRADE: A-
GenerationofSwine wrote:Yeah... I'm solidly in the "From Russia With Love is the greatest Bond Movie" camp. And if there was ever a point of contest in the Bond franchise, it's not really who the best Bond was (Roger or Sean) it's which is the best Bond film, From Russia with Love or Goldfinger.
Goldfinger isn't the best... It's the SECOND BEST. What it is is the most unique. And it's the most fun.
Bond sort of Pooches it in this one and still manages to Forrest Gump his way to victory, and you haven't seen that in any 007 movie since. This is the movie about a mission that SHOULD have been in the lose category. At the time of this release, by the end of the movie Bond's record should have been 2 and 1... only he still manages to claim victory.
And he kind of does it through no fault of his own. Sure, the final battle he comes out on top, but all the events that come before it go horribly wrong, he should have died, Goldfinger should have won, and the only reason he didn't was because of the cunning of other people who are NOT James Bond.
I know, it sounds like I'm ripping into it, but really, seriously, I'm not. All of that is what makes it such a loveable and memorable and unique Bond film, one like you have never seen before and probably never will again.
The only other one that comes remotely close to it is Skyfall, and even then Bond isn't as bumbling as he is in Goldfinger... and of course it's Sean Connery, so he's still dapper, still suave as he sort of stumbles to victory.
It is all probably why this is so hotly contested as the Best 007 film among die hard 007 fans, the pure uniqueness of this particular outing, the fact that you will never see Bond in such a light again. The fact that ONLY Connery can pull off a suave and confident almost failure in a way that makes you think he's anything BUT a failure despite nothing going his way.
And then, of course, it is absolutely fun. It is absolutely entertaining. And those are two reasons why people watch movies.
drystyx wrote:I have a special affinity for this 007 film.
I was born in Louisville in 1956, and I actually have vague recollections of much of the scenery.
That scenery didn't last long. Louisville is an ever changing city in scenery.
The story seems to be more of a story of 007 against one man, Goldfinger, but there is a connection to the Specter group, and to all the mobs in the U.S..
The tragedy of Jill Masterson is something 007 wants to avenge, because she helped him and was killed by Odd Job, Goldfinger's insane top man.
While Goldfinger is labeled as insane, Odd Job is twice as insane. He's totally kill crazy.
I read this book, and the alterations are fairly minor in my opinion. The biggest alteration is the alteration of anti heroine Pussy Galore and Jill Masterson's sister Tilly.
Goldfinger wants to pull a "job" on Fort Knox, Kentucky.
This is a very fun film, and I don't think there is any lull in it for more than a few seconds.
as usual, Bond shows great humanity. Some say he's cold, but I differ. In almost every movie, he has great affection for humanity and for human life. He kills people who are trying to take away human life.
I rank this as about the fourth greatest Bond film, but that's because I was born in Louisville, where much of this is set, and much of it takes place in Fort Knox.
