Sex and the College Girl

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

Four college students attend an Ivy League college where a riot breaks out over an "African-American" themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post racial' America while weaving a story about forging one's unique path in the world.

Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren't quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can't help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.

Eight college friends head to a "Haunted Rental" in a remote town for Halloween weekend. There, they play the game rumored to have caused the deaths of seven teenagers decades earlier, Truth or Dare. What starts out as vodka induced fun, quickly turns serious when the dares become sickeningly dangerous and the truths threaten to tear the group apart. When players attempt to refuse the increasingly challenging tasks, they're met with deadly consequences, quickly discovering: you must do the dare, or the dare does you. As the death toll mounts, the remaining players must race against the clock to outrun, outsmart and outlast the simple game of Truth or Dare.

When four young college girls stumble upon a murder, they find themselves targeted by a killer who will stop at nothing to silence them.

College mischief spins out of control unleashing a horrifying scarecrow who terrorizes a resort town during Spring Break.

Three superpowered roommates must team up to defeat an evil roach that crawled into their kitchen.

Though he has managed to become a professor at an early age, a supposedly liberal young man has neglected developing his relationship skills. Even though he forms an attachment to a young woman whom he had been helping with the task of finding work and even marries her, he is appalled to learn that she is pregnant with another man's child. At the same time, his political convictions have been put to the test, and he has effectively shown that he was not as serious about them as he (and others) thought he was. Disappointed in himself and in his life, he leaves his new bride and attempts to find consolation in an affair.

This somber drama follows the troubles of a rural family who moves to the big city to have a better life. Although the family is poor, they provide lodging for an old beggar while the unemployed husband searches for work. The youngest girl steals birdseed from a parrot, while the eldest girl is close to trading sex for food. The wife believes the beggar is hiding something and finds a bag of rice in his room. The beggar dies, and the wife cooks the rice for her family. Although she has provided for her family, her feelings of guilt about the old man prevent her from keeping her food down.

A gritty political thriller set at the backdrop of the violent Naxalite movement in 70’s Calcutta.

Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.

Luisa Wagner is a successful event manager. At the same time she also manages to look after her two children, Krista and Jakob, the housework, her husband Michael and her father. When Luisa's twin sister Jenny also turns up and hardly lifts a finger to help, Luisa sees red. On an impulse, she takes over her sister's role and goes on tour with her theatre troupe in Italy. Meanwhile, Jenny assumes Luisa's chores in the home and her job, thereby experiencing not only the hurdles a mother is confronted with, but also falls madly in love with her sister's boss, Felix. Everyone is relieved when Luisa returns home after hearing of her father's breakdown. Especially Michael, who has learned to appreciate his wife anew.

When her scientist-employer is murdered, a female legal immigrant suddenly finds herself being deported via a train full of criminal aliens, g-men, reporters - and foreign agents trying to smuggle her off and into the hands of the murderous gang.

Vivian loves sex and pursues her unusual preferences in excessive affairs. Everything changes when she gets involved with the Senator for Justice Ertel, because here the boundaries between sex play and rape become blurred. She goes to court. In her lawyer Maria, she finds an understanding supporter who, like Vivian, enjoyed her freedom in her youth...

Hochzeit auf Bärenhof

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

Five star (hotel) is a sarcastic reference to the Pretoria prison which is central to the plot. An inmate Skollie (A nickname meaning delinquent) escapes from jail with one desire, to be united with his son again. Life outside is much different to what Skollie remembers. Still behind bars are inmates Pappa, Priester and Polka, who are doing everything to prevent Skollie from being reunited with his son, even if that means they have to kill. Skollie discovers that Pappa might be responsible for the death of his mother and he vows revenge.