Marriage: Year One

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

A play based on the friendship between CS Lewis and Joy Gresham.

Betty Austin gives up her dream of going to the city and marries Warren Wade, but she sadly finds him selfish and insistent on her acting like a "clinging vine." Disgusted, she joins her career-girl chum, Leila Mead, in the city, where she meets Dr. Devereaux. Shortly after returning home with Warren, their son is injured. Betty takes him to Dr. Devereaux, and Warren follows, accusing Betty of leaving him for the doctor. Their son is cured; Warren learns his mistake and gives Betty greater responsibility in managing family money matters.

While on honeymoon with her husband in Spain, a woman wakes up one morning to find he has disappeared. After reporting it to the police, a man shows up claiming to be her husband. But he's not the man she married and no one will believe her.

A gambler falls for a fake countess.

The daughter of two famous writers, Helena upholds her late father's reputation, reciting his poems on various occasions and cherishing the memory of the legend. Relations with her mother have deteriorated since she moved to Sweden. Helena blames her mother for abandoning her father. Helena and her mother meet again as Helena's mental health deteriorates and in order to cope, she must face reality through her mother's memoirs. Helena becomes intensely involved in the story and relives it by imagining herself in her mother's place.

Two tortured souls. Two dirty confessions. One fateful night.

After a whirlwind courtship and marriage, a young woman, Audrey, relocates with her husband, Xander, to his hometown after the death of Xander's father. Immediately, Audrey begins to suspect that there may be more to her father-in-law's death than a simple accident, and Xander's sexy, seductress of a stepmother, Marlena, may hold the key.

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

An ambitious executive jeopardizes his career to marry a European refugee.

Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.

A man looks back on his life at what was and what could have been.

The story of a newly married couple intersecting with three more stories.

The film on the Khojaly tragedy, tells the story of a young officer, unfolding against the backdrop of the terrible events of February 1992.

An adaptation of the Sahitya Akademi award-winning play, 18 Natakangal, the story revolves around six couples, exploring different facets of their marital relationship

When Georgiana Summers learns that the woman who stole and married her husband is planning a romantic tryst with a new love, she hatches a giddy plot to expose the rendezvous and pay her back.

A family man struggling to hold it all together discovers a parlor that offers a solution...sexbots.

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?

A couple is forced to confront the meaning of love, loss, and legacy in a world where death is now a choice.

uNomalanga and the Witch, which follows newlywed Nomalanga, who moves into a new neighborhood with her husband and finds herself intrigued by a mysterious widow who everyone suspects killed her late husband