Police Story

US

Drama
English     7.3     1973     US

Overview

Police Story is an anthology television crime drama. The show was the brainchild of author and former policeman Joseph Wambaugh and represented a major step forward in the realistic depiction of police work and violence on network TV. Although it was an anthology, there were certain things that all episodes had in common; for instance, the main character in each episode was a police officer. The setting was always Los Angeles and the characters always worked for some branch of the LAPD. Notwithstanding the anthology format, there were recurring characters. Scott Brady appeared in more than a dozen episodes as "Vinnie," a former cop who, upon retirement, had opened a bar catering to police officers, and who acted as a sort of Greek chorus during the run of the series, commenting on the characters and plots.

Similar

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955