El amor tiene cara de mujer

A retired police officer looks for revenge after his family is attacked by a gang of criminals.

A just-married young woman attempts suicide after her husband tells her he really doesn't love her because he has become involved in an extortion racket, then finds herself becoming involved with the doctor who has saved her life and become attracted to her.

Maria spends her daytime sewing and cleaning, while at night she works as a prostitute in Oporto's streets. Years ago her path crossed with José, a married man who became her most faithful client but who couldn't help her to escape the hard life. Today this old prostitute continues showing off her body through the long city's nights, though the clients are almost gone. José is still there, but he failed at what she desired the most: a son. In a very intimate and raw portray of a woman, MARIA disclosures how love and getting older can feels like.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.

A weekend cruise on a luxurious party yacht goes horribly wrong for a group of old high-school friends when they get stuck in the water many miles from shore and a happy reunion turns into a fight for survival.

Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Captain Jordan Wright's squadron on leave for a wedding in Mexico encounters a murderous cartel. As Jordan tries to lead survivors to safety, war erupts between his squad and the cartel, forcing him into a battle to save his men.

Danny, a greenhorn from New York comes to the Mexican border in search for his older brother whom he has always looked up to. A Texas Ranger charged with bringing in, El Tigre and his gang of bandits, takes Danny under his wing.

Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can't contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.

Isabel Clifford sits to be painted. Her artist is Marion Leslie, a man distracted by matters of the flesh. Not Isabel’s flesh but Lorelei’s, the same Lorelei who wows the corrupt police chief, Sarpina, with her virtuoso vocal performances. She is Mexico’s most celebrated opera diva, Marion’s fiancé, and Sarpina’s passion, yet she boils with petty suspicion over Marion’s friendship with Isabel.

A fable of five vastly separate inner-city lives who struggle against their limitations in an interlocking tale assembled by a dark orchestrator.

The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.

Dia de Madres

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

A short film commissioned by CBC based on a poem by Canadian poet Irving Layton.