The Good and the Bad

Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.

Thirteen-year-old Bastien is the center of a reconstructed family: 6 half-brothers and sisters, 8 "parents," and as many houses. His tasks within the family are far more complex than what he has to do at school. But enough's enough: the children decide to wage a revolution and turn the rules upside down. All together, the squat a large apartment and now it'll be up to the parents to come to them!

The seemingly random killings of an assassin puzzle her former lover, a wealthy Greek crime boss whose organization is jeopardized by his love for her, and the detective following her rising body count

A young orphan in New York's Lower East Side is collectively adopted by three neighborhood men--a minister, a cantor, and a cop.

Pietro Rossini is a strapping young man that unfortunately spends most of his time at work chasing after two pretty young secretaries who are only too happy to return his advances. Tired of this endless chase and work waste, his boss sends him on an errand to Paris hoping this will help productivity around the office. Pietro quickly hits up his friend for a woman he can fool around with while he's in Paris, but Rita, the woman he meets, ends up being an large, boorish, unsightly woman. Once he arrives at his hotel, Pietro meets the young and lovely Nancy and attempts to romance her as best he can, but no matter where he goes, Rita is not far behind.

In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.

Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.

The young D'Artagnan arrives in Paris with dreams of becoming a King's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the King. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the Cardinal.

After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

A white female detective is partnered with a black male detective to find the person who is committing a series of particularly vicious murders. During the course of the investigation the two begin to develop an attraction to each other, but the situation is complicated by the fact that he is married.

After a successful deployment of the RoboCop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the RoboCop 2 project, a living God.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A young police officer "makes a mess" of a police operation, shoots a man in self-defense, and ends up in prison. There he learns that the world isn't black and white, but has many shades of gray, and makes new friends and enemies.

After a group of Parisian youths pull off a deadly terrorist attack, they decide to shelter for a night in a shopping center.

Derick Abraham, a fiery and dutiful police officer, continues to be the best officer until his brother Philip Abraham gets arrested for false murder charges. Will he be able to investigate the case and serve justice to his brother?

Incompatible fugitive recovery agents, the flighty Jersey Bellini and his more serious-minded female partner, B.B., have, for the last time, ticked off mobster Wald by apprehending his rather inept henchmen just as they are about to commit a robbery or kill one of Wald's enemies. That's when Wald turns their fate over to the ruthless Crazy Carlos, with the intention of having Bellini and B.B. killed. But the hapless bounty hunters keep having good luck just when they need it most.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once, but twice.

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