Ashes and Embers is an original screenplay by Haile Gerima, about a Vietnam veteran, who, several years after the war, is struggling to come to terms with his role in the war, and his role as a Black person in America. He survives by working odd jobs in Washington, D.C. and living with his girlfriend and her son. When criticism of his alienated behavior come from her and a father figure too often, he runs to the streets or to his grandmother's rural house in Virginia. Her criticism and his memories of the past both send him fleeing again to Los Angeles, where he is surrounded by superficial people who have forgotten how to be compassionate human beings. It is here that the advice of his friends and grandmother combine to transform him from an embittered ex-soldier to a strong and confident man.
Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field
An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison's boxing team in an effort to secure an early parole and to establish his dominance over the prison's toughest gang.
In 1902, a Gullah family on the Sea Islands off South Carolina decide whether to migrate to the mainland, risking their unique cultural heritage.
A naive young woman moves from the South to stay with her aunt and uncle in Compton. As an outsider, she struggles at first to find her footing, but soon falls into the middle of a community of rebellious youth. She soon becomes more and more aware of the social injustices of the big city.
A young African-American man, living in Los Angeles without direction in his life, reluctantly agrees to be the best man for his brother, an upwardly mobile lawyer.
An enigmatic drifter from the South comes to visit an old acquaintance who now lives in South-Central LA.
Charlie Banks, chronically unemployed, struggles to find dignity and a meaning for life in the impoverished Los Angeles neighborhood of Watts.
Eddie Warmack, an African American jazz musician, is released from prison for the killing of a white gangster. Not willing to play for the mobsters who control the music industry, including clubs and recording studios, Warmack searches for his mentor and grandfather, the legendary jazz musician Poppa Harris.
In this meditative film the everyday lives of poor Ethiopian peasants are shown using documentary as well as storytelling techniques, with its drama arising out of the timeless yet persistent issues of their lives.
Filmed in response to the LAPD’s shooting of Eulia Love in 1979, Gidget Meets Hondo opens with stills taken by Bernard Nicolas of a demonstration against Love’s killing. Nicolas’ Gidget is a self-absorbed young white woman who remains clueless to the violence erupting around her, ultimately to her own peril. The film asks whether such police brutality would be tolerated if the victim were a middle-class white woman.
Bombay embraces her past, facing consequences both old and new.
Daru is an orphan who keeps having the same dream where he becomes a tree being struck by lightning. Between trying to fix the troubles he made at school and maintaining his relationship with his hard-pressed aunt, Daru discovers the meaning behind his dreams.
Un hiver de tourmente
A street sweeper does more than just clean up the streets after a night of drinking at the carnival. His broom is his faithful friend and constant companion.
Theater13 presents a new Gothic parable exploring the consequences of immortality.
O Pior Ainda Está Por Vir
My Lady
A MAN preach around the supreme greatness of being able to take on the misery of an silence that wasn´t chosen. A representation of the conjucture of joint burdens that break through veils of limitations. Authority's tied to the incorporation of concerns, scars, missing pieces. In the desert there is no room for utensils, you have to make an altar from the rock. And, a meal from the altar.