Mandinga

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

A murderous black comedy set in the 1960s. Sam (McCauley) and his small band of hard-drinking and eccentric friends are having a night of it when a drunk truck driver, Jack (Bach), attacks Sam's Maori wife Sue (O'Brien). In the struggle, Sam and friends end up killing Jack. None of them regrets this, but it has been observed by Miriam (Gruar) who decides to blackmail Sam. Jack's brother Joe (Napier) comes looking for revenge and ends up being killed by Basil (Spence). Their jobs at the freezer works are terminated, and Basil has his own idea about how to get out of their troubles.

Dean is threatening to firebomb his ex-girlfriend's wedding. Mickey is filling the garage with stolen goods - again, and pierced teenage daughter, Leesa, is an accident waiting to happen on the family's beloved Triumph motorbike. An unconventional tough family, battling to survive with humour and love, in a world of motor bikes, rock 'n' roll, classic cars and alcohol. This is a family that you probably would not want next door, but they are fun to watch, and they have their ways of holding family together.

Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.

The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.

Young married couple Rob and Laura move to the peaceful, friendly town of Breastford and right away are made to feel at home by the welcoming members of the Breastford Womens Association. They soon realize that something is amiss, and they discover the reason: Doc Brady, the town's mayor, has invented a device that, at the push of a button, turns women into insatiable, sex-crazed robots.

A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.

Women rebel against slave labor in a filthy jungle prison where they feed sugar cane to a mechanical maw.

Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby union team as they make their historic run to the 1995 Rugby World Cup Championship match.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

Kenneth Bianchi is a security guard whose attempts to become a police officer are repeatedly thwarted. He moves to California to live with his cousin Angelo and dates a string of women, becoming increasingly preoccupied with sex. Eventually the cousins decide to start an escort agency. After violently killing a prostitute they thought had betrayed them, Kenneth and Angelo begin committing a series of crimes that become a media sensation.

Harlem, 1943. Sonny is a struggling African American who frequents the bingo parlor in a desperate attempt to provide for his family in post-Depression era New York.

In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

A Polynesian street-kid and a much older middle-class housewife are both incarcerated in the same mental hospital - she for attempted suicide and he for habitual crime. A friendship grows between them such that she offers him a place to stay upon his release. However, difficulties arise with his continued criminal activities and dependence on her for support - then his gang moves in with them. The film is based upon Sue McCauley's award winning autobiographical novel.

Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.

When her mother dies, her attractive young daughter hungry for love moves into the dead woman's house as a quest to seduce its tenants in her desperate search for love.

Carter (Benjamin Dunk Kostecki) returns to town to visit some old friends. After he can't find a ride from the bus station, his day begins to unravel.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.