Ballad for a Bandit

An unemployed maid is hired in a music hall to wash the floors. The whim of a screenwriter makes her go on stage in the most basic outfit. A revelation, success is at his doorstep! However, the young woman would prefer a virtuous life and a serious marriage to the easy but immoral existence offered to her by the world of entertainment.

In this musical showcase, two aspiring stars attempt to wow a pair of talent scouts with their stellar abilities. Songs include "My Heart Isn't in It" (Jack Lawrence), "It's Love, Love, Love" (Mack David, Joan Whitney, Alex Kramer), "When They Ask about You" (Sammy Stept), "Jumpin' at the Jubilee" (Ben Carter, Mayes Marshall), "Taking Care of You" (Lou Brown, Harry Akst), "Where Am I Without You?" (Don Raye, Gene De Paul), "Two Hearts in the Dark" (Dave Franklin), "Somewhere This Side of Heaven," "Ezekiel Saw the Wheel."

An underworld character wins a Broadway nightclub in a card game.

When quadruple-threat newcomer Stef Harris (Singer / Dancer / Actor / Vet), arrives at Kings Park University, the college Glee Club can’t wait to snap him up. Lead by charismatic (but talentless) singer Bea Minicello, their group “Bea Minicello & The Bea Flats" immediately make Stef feel at home. But this Glee Club holds dark secrets and Stef can already sense tensions beneath the surface. There’s confrontational self-proclaimed ‘cool-guy’ Ash Green who has it in for just about everyone, down-trodden stage technician Dru Lowley who has a few killer secrets to share, backing vocalist Summer who behind her sickly smile is desperate to take Bea’s crown and of course Bea Minicello - who is as sweet as pie to Stef but if she’s for real then how come everyone else seems to loathe her? Something is not right... A story about a group of young people with their whole lives ahead of them. However long that may be.

It's 1967 and British pop sensations Norman's Normans have accidentally blasted off a rocket from the British Space Agency and landed on a planet of all women. When the princess falls for lead singer Norman, the queen imprisons the British invaders. Can they use their catchy rhythms to win over the girls of Hormone and help them make peace with the neighboring planet of men, all the while finding a way back home to Earth?

Go behind the scenes of Frozen the Musical, Disney's Broadway hit, with Courntey Monsma (Anna) to meet the all-Australian cast and hear from the composers of the iconic music.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Three merchant seamen fleeing the Japanese take refuge on a Pacific island, where they come across a doctor and his daughter who take care of the natives, a hostile tribe that wants to kill the sailors for trespassing on their sacred ground.

Der Vogelhändler

A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.

Carola Lorm, a celebrated revue star from South America, is not thrilled that her daughter Barbara wants to marry a young man from Hamburg. The weather there is just as chilly as the father-in-law-to-be, who turns out to be a snooty Hanseatic fruit merchant. When Carola follows the runaway couple to Germany, she also gets caught up in an intrigue involving drug smugglers. But with the help of an amorous detective, she is able to put a stop to the scoundrels and trick the ossified father-in-law into changing his mind.

Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.

An adaptation of the 1886 musical “Alice in Wonderland: A Dream Play for Children” by Henry Saville Clark and Walter Slaughter, Fotopoulos’ feature length film propels the Clark/Slaughter score into the 21st century digital age. Sculptures, drawings, text, and original music are used to explore the late 19th century’s evolution of painting, literature, and theatre into early photography and moving pictures. The piece probes the interplay of art and science and in exploring these ideas certain lives and themes are touched upon – the relationship between John Ruskin and Lewis Carroll, Ruskin’s theories on drawing, Thomas Eakins’ painting and his use of photography, the burgeoning of early cinema with Eadweard Muybridge and Etienne-Jules Marey, notions of amateurism and professionalism in art and the archetype of the condemned artist. The work is presented in two acts, remaining faithful to the musical’s original construction based upon Carroll’s narratives.

A high school student who comes across a supernatural notebook, realizing it holds within it a great power; if the owner inscribes someone’s name into it while picturing their face, they will die.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

A musical love story set in an apartment building in Oslo, based on songs by the acclaimed Norwegian singer-songwriters Jan Eggum and Halvdan Sivertsen.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Giuseppe is carried by passing passions—singing, insects, private investigation, embroidery—until one day in the park, he meets a quiet balloon seller. Something about her makes him pause.