The formation of the Gay Black Group was a landmark in gay black history. Meeting at Gay's the Word, a bookshop in Bloomsbury, London, it provided a sounding board and support for gay and black communities of the 1980s.
A feature-length documentary film-in-progress chronicling the birth and development of LGBTQ comics through the eyes of several of its pioneers. The film was inspired by the Lambda award-winning book of the same name, and dives deeper into the personal stories at the heart of this unique underground artistic scene. Featuring Alison Bechdel (Fun Home), the recently departed Howard Cruse (Stuck Rubber Baby, Gay Comix), and others, this film aims to show how DIY queer cartoonists have represented, poked fun at, and celebrated LGBTQ lives and experiences in challenging, humorous, and profound ways.
Through a montage of compelling videos posted on the Internet by young gays, bis, lesbians or transsexuals, «Out» makes us experience from within the groundbreaking moment of their coming out – after which their intimate and social life shall be forever changed.
Church & State is the improbable story of a brash, inexperienced gay activist and a tiny Salt Lake City law firm that joined forces to topple Utah’s gay marriage ban. The film’s ride on the bumpy road to equality in Utah offers a glimpse at the Mormon church’s influence in state politics and the squabbles inside the gay community that nearly derailed a chance to make history. Church & State is a story of triumph, setback and a little-known lawsuit that should have failed, but instead paved the way for a U.S. Supreme Court decision that legalized gay unions nationwide.
Fragments 83 rediscovers—and repurposes—Richard Millen 1983 experimental film If You Can’t Be with the One You Love, shot in Brooklyn and the West Village in the early days of the AIDS epidemic. The resulting documentary explores the hunt for sex/love, the joy of making cinema, and the inexorable passage of time.
The journey of a gay African refugee seeking asylum in Germany.
He was a high school icon and now he's an Instagram icon. Many people admire him, others hate him, but he doesn't leave anyone indifferent. Neither will do this astonishing documentary film where there is a lot of sex, faith and all the queer electronic music in the world.
This documentary shows a few days in the life of various members of Abdijan, Ivory Coast's gay and transgender community. We get to meet a variety of woubis, yossis, etc. The hero/heroine of the film is a statuesque young man named Barbara who is organising the annual year-end party of the Ivory Coast Tranvestite Association, to be held December 27, 1997.
Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.
Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and gay hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.
Home Improvements, Robert Frank’s first video project, is a simple and poignant diary of consequential events. It is about the relationship between Frank’s life as an artist and his personal life, and how the two are inevitably intertwined. It was made cheaply with a half-inch video porta-pak. Home Improvements takes place in New York and Nova Scotia and in the mental space between these two opposing worlds
Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.
After starting a family of his very own in the United States, a gay filmmaker documents his loving, traditional Chinese family's process of acceptance.
Living in the shadow of Canadian sports legend Lionel Conacher (1900–1954), whose legacy spans five sports, is a daunting challenge for any relative. For great-grandchild Lionel IV, better known as Chas, that challenge extends beyond athletics into the realm of self-discovery. As a non-binary individual navigating identity in the 21st century, Chas explores both the weight of their family’s star-athlete lineage and the evolving landscape of queer identity in a documentary that bridges nostalgia with forward-looking reflection.
With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.
Lonely son of a Canadian preacher man Michael builds the first professional wrestling company in faraway Finland. Young transsexual wrestler Jessica infiltrates into the company contesting Michael both physically and ideologically. Anger and frustration get to Michael who is now 40 years old still looking for companion. He is looking for love, but first must learn not to hate. As Michael finds true love online he redefines his values, and reinvents himself as a wrestler in love.
Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.
Chris & Don chronicles the lifelong relationship between author Christopher Isherwood and his much younger lover, artist Don Bachardy, and it combines present-day interviews, archival footage shot by the couple from the 1950s, excerpts from Isherwood's diaries, and playful animations to recount their romance.
THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.