Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Stephen Poliakoff's parody of the spy-thriller genre. A Russian diplomat becomes convinced that he is at the centre of a Foreign Office plot.
When a widowed father meets a new dance partner, his children react badly. Are they just missing their mother, or is there another reason for their reaction?
When a new pupil arrives at a comprehensive school, he decides to take his video camera to film the bullies at work.
1990 TV adaptation of a 1979 biographical play by Ned Sherrin & Caryl Brahms, based on the life of conductor and impresario Sir Thomas Beecham. With Timothy West as Beecham.
The true story of the notorious paedophile priest Brendan Smyth, and how one family in Belfast, aided by journalist Chris Moore, uncovered the true extent of the clerical abuse scandal.
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Young, ace assistant DA, Shelby Cook, works with driven cop, Mike Holland, to catch Daedalus, a serial killer infamous for luring his victims to their deaths through labyrinth traps. Three innocent men have already taken the fall for Daedalus and when Daedalus strikes again, Shelby finds herself defending the latest man accused, a retired and respected judge--who also happens to be her own father.
A woman's one-night stand turns out to be her friend's husband, and a local political candidate.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Four 20-somethings are coasting through life in a fashionable part of London. A misunderstanding leads to the introduction of a stranger into their home, who starts to take control...
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.
After a swimming accident in which her mother died and she herself nearly drowned, Gilda's mental development stopped at the level of a nine-year-old child.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".
In this Broadway stage production, Orlando Bloom and Condola Rashad take on the title characters in a modern adaptation of the timeless classic, Romeo and Juliet.
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A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.