Matt Houston

Noah's Arc is an American cable television dramedy. The series, which predominantly features gay black and Latino characters, focused on many socially relevant issues, including same sex dating, same-sex marriage, same-sex parenthood, HIV and AIDS awareness, infidelity, promiscuity, homophobia, gay bashing. It ran from October 19, 2005, to October 4, 2006. After its cancellation, a film was produced entitled Noah's Arc: Jumping the Broom, which was released theatrically in 2008.

Relativity follows a twenty-something couple and the lives and loves of their friends and siblings in Los Angeles.

Dr. Craig Huffstodt, a family man and a successful psychiatrist, gets a wake-up call after a tragedy occurs with one of his patients.

Meet Chase McDonald and August Brooks. Two guys who will do anything to keep L.A. safe . . . even if it means blowing half of it up. An explosive crime drama that follows the action-packed cases of robbery/homicide detectives McDonald and Brooks, who are as different as night and day. L.A. Heat is an American action series starring Wolf Larson and Steven Williams as Los Angeles police detectives, in the tradition of films like Lethal Weapon. The series aired on TNT from March 15, 1999.

Fastlane is an American action/crime drama series that was broadcast on Fox from September 18, 2002 to April 25, 2003.

Los Angeles County medical examiner Quincy routinely engages in police investigations.

Kate Fox, a divorce lawyer who dabbles at matchmaking on the side, finds herself thrust into the spotlight and dismaying her boss/father when a socialite bride credits Kate to the press as being the secret to her romantic success.

A.J. Simon is a polished fellow with a taste for classic cars and tailored suits. Rick Simon is his less refined (but still pleasant) older brother who has a taste for cowboy boots and four-wheel drive pickups. The two of them live in San Diego, where they own a private detective agency.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

Tequila and Bonetti

A drama chronicling the lives of twentysomethings in the hip L.A. neighborhood of Silverlake.

Four Los Angeles doctors run a practice in this drama that focuses as much on the problems in the American medical system as it does on the patients.

Adrian Monk was once a rising star with the San Francisco Police Department, legendary for using unconventional means to solve the department's most baffling cases. But after the tragic (and still unsolved) murder of his wife Trudy, he developed an extreme case of obsessive-compulsive disorder. Now working as a private consultant, Monk continues to investigate cases in the most unconventional ways.

Doogie Howser is a doctor. He is also a 16-year-old genius who graduated college at age 10 and finished medical school at age 14. But he is still a teenager, with normal teenage friends and problems. But unlike a normal teenager, he is just learning to drive while also consulting on serious medical cases like heart transplants.

A reclusive ex-cop reenters the game as an insurance investigator, searching for clues in crime scenes perfectly staged by a serial killer in her midst.

Gloria Sheppard is an intuitive LAPD homicide detective who juggles her demanding personal and professional lives while raising two sons with the help of her troubled younger brother, Davey.

Meet McGraw is an American dramatic television series starring Frank Lovejoy in the role of the hard-hitting detective McGraw, a man specifically given no first name in the program. Forty-one half-hour episodes aired on NBC during the 1957-1958 season, sponsored by Procter & Gamble. The series was produced by the Desilu Studios, most of whose productions were broadcast by CBS. The theme song for the series is "One For My Baby" by Harold Arlen and Johnny Mercer. Meet McGraw preceded The Bob Cummings Show on Tuesday evenings on NBC. It aired at 9:00pm ET/PT opposite John Lupton’s Western series, Broken Arrow on ABC and Bud Collyer's To Tell the Truth quiz show on CBS. After its cancellation, Meet McGraw was repeated as The Adventures of McGraw on ABC in 1958-1959, but not in prime time. A number of episodes of the series, including "Mohave" and "Lady in Limbo," are available on DVD.

The tragedies and triumphs of five earnest twenty-something first-year associates fighting to stay afloat in one of Los Angeles' top law firms.

Rescue 77 is an American television series about the professional and personal lives of paramedics in Los Angeles, California. The show aired in the spring of 1999 on Monday nights on the WB network. The creator and executive producer was Gregory Widen, a former Southern California firefighter and paramedic, and the writer of the 1991 firefighting drama Backdraft. His goal for the show was to provide a more realistic depiction of the lives of firefighters and paramedics than previous emergency medical television series such as Emergency!.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.