Shoot the Moon

Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.

Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.

Sylvain and Pierre have been running from the law ever since a custody battle with their mother pushed their father Yves into hiding ten years ago. But now that they’re older, the two brothers are road-weary and eager to take advantage of the perks of young adulthood. When the authorities discover their whereabouts, they are forced to move yet again and Pierre, the elder, disappears. Alone with his father on an island in the Loire River, Sylvain meets Gilda: his first girl, his first crush, and the first stop on his way to “the good life” – his own.

The story of a Thai-Chinese couple Yong and Ngak who's been together for 7 years. Yong is a salesman while his wife Ngak is just nothing but boring and old. There're many times that Yong thinks of breaking up, but he swore to his grandfather that he will never leave Ngak or else his life will face bad luck. Later, there is a twist in his marriage life as Yong may has to break the word that he promised to his dead grandfather.

Colonel Ferris, a wealthy farmer in northern California, is strongly opposed to hydraulic mining, a new method developed during the gold rush of the 1870's, which is flooding the area's prosperous farmlands. Despite Ferris' political stance, Jared Whitney, a mining engineer from the East, becomes friends with the colonel's son Lance and falls in love with his daughter Serena. Family tensions deepen when the colonel's brother Ralph gives up farming to go to San Francisco to work for his wife Rosanna's father, Harrison McCooey, a leader in the mining venture. When Lance follows Ralph, the colonel, focusing his anger on Jared, forbids him to see Serena.

When Isa is not at school or working on his parents' farmyard, he spends carefree days with his friends - until the outside world starts forcing him to say one goodbye after another.

This is a story about the fate of a broken family, about the uncertainty of Ruben, who left his family, about attempts to return father, and about a series of funny, but also sad events that bring this dead-end story to a conclusion.

A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.

The film about the Holodomor famine in Ukraine, based on the novel 'The Yellow Prince' by Vasyl Barka. The film is told through the lives of the Katrannyk family of six. It relies more on images than on words shot in black-and-white.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

In a small Italian town, the local youngsters realize that their youth is coming to an end and marriage will soon follow. They gather together for one last time in an attempt to revive their younger days, but this comes to a dismal conclusion. Gradually it dawns on the group that childhood is over and the next stage in human growth must be faced.

A family goes on a road trip and sparks various conversations along the way in their car.

When a school bus driving woman (Tyne Daly) has a heart attack, she makes one request of her three daughters (Ally Sheedy, Marla Sucharetza, Marceline Hugo) - she wants them to find their long lost brother, who was taken away by their father (Jack Davidson) 16 years ago. What they discover is that while they have struggled, their father has become a wealthy man and their brother is in school at Harvard.

A successful lawyer returns to his hometown for his mother's funeral only to discover that his estranged father, the town's judge, is suspected of murder.

In New York, a struggling actress and a successful writer sing about their failed marriage from two perspectives.

In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

On a day like any other, Chila Huerta wakes up her three children and abandons the house that she shares with her husband. The town is left to wonder what secrets Chila is hiding.

Standing before a divorce court judge are Sergeant Andy Anderson and Janie Anderson asking him to dissolve their marriage. Janie's father, William Smith, objects and the judge allows him to give his version of their story. They had met in San Francisco fifteen months earlier and, after knowing each other only three days, had gotten married. Andy was sent overseas the day after the wedding and when he returns and despite the fact that Janie had borne him a son, they find they are almost strangers. Mr. Smith suggests, and the judge orders, that if they retrace their actions over the four days they knew each other they would regain their love.

The children of the Salazar family have been pursuing separate lives in the recent years. After a few years of not being together as a whole family, they find themselves reuniting when CJ announces his plan to marry Princess, his girlfriend for three months. Much to their shock and dismay, CJ's sisters come together for the wedding and have agreed to dissuade him from marrying his fiancée.