Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Gente de mesón
The life of Frank Sinatra, as an actor and singer and the steps along the way that led him to become such an icon.
Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects.
Billions of years ago, Venus may have harbored life-giving habitats similar to those on the early Earth. Today, Earth's twin is a planet knocked upside down and turned inside out. Its burned-out surface is a global fossil of volcanic destruction, shrouded in a dense, toxic atmosphere. Scientists are now unveiling daring new strategies to search for clues from a time when the planet was alive.
‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
The first of a documentary serie about rural France.
Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.
The cast of the 1988 film, Bad Dreams, talk about their experiences making a film with heavy themes of suicide, guilt, depression, and mass death.
Cast and crew, as well as some famous fans, recall the insanity that was the making of the ultimate experience of grueling terror that is The Evil Dead.
Straight-forward production stories from the Hollywood players who made the movie happen.
Mia and Roman is a 1968 23-minute documentary film which was shot during the making of Rosemary's Baby.
Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.
With loans from across the world, this major retrospective will bring together Vermeer’s most famous masterpieces including Girl with a Pearl Earring, The Geographer, The Milkmaid, The Little Street, Lady Writing a Letter with her Maid, and Woman Holding a Balance. This film invites audiences to a private view of the exhibition, accompanied by the director of the Rijksmuseum and the curator of the show.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
This film contains interview material and archival footage presented all on one film. It begins with very rare black and white Australian documentary from the 60s with Jagger looking like the rebel, and Keith, looking somewhat wasted, talking about Brian Jones in some depth. Also featured are press conferences, a classic interview with Mick, Ronnie and a hung over Charlie Watts, the Life Time Achievements awards, Bill Wyman interview, Keith on why he loves the Stones, Charlie speaking about touring etc, and a long Australian interview to finish.
Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.
The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.