"On the Flip Side" is an episode of ABC Stage 67 starring James Coco, Tyrone Cooper, and James Dybas. A spirit and her musical combo are assigned to help a washed-up singer make a comeback. The original score for this program was composed by Burt Bacharach and Hal David, with musical direction by Peter Matz.
Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.
Huckleberry pursues Jolene, in spite of her loathsome boyfriend, Clint. Rebuffed, Huckleberry confronts Clint, but not before unleashing hell upon him while still cloaked in the lingering shadow of his undiscovered intentions.
An action-packed theatre piece that looks at the problems facing a transvestite and his wife.
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.
Direct from London's glittering West End, our favorite multi-award winning international cabaret sensation, Meow Meow (Vamp), returns to Sydney Festival with a perfectly wild take on Hans Christian Andersen's bittersweet fable. With Malthouse Theatre director Marion Potts, composer Iain Grandage (Optimism), the Wild Dog Orchestra and the ever-dexterous Mitchell Butel (Woyzeck), Meow and her cohorts ignite a fantastical flight of musical fancy with dark, cut throat comedy and a whiplash score.
Story of a football hero whose temper and drinking threaten his spot on the team, and his romantic life. His naive comical roommate remains his steadfast supporter.
Javier is a powerful but miserable politician with a much younger secret lover, Gonzalo. Struggling with his shame over the relationship, Javier takes Gonzalo on a trip to try to work things out but the tension between them only escalates.
When juvenile inmate Malcolm is offered a chance at parole, he is torn between his chance for freedom and protecting the one he loves.
Introverted Juan, manager of a mannequin factory, lives alone with his eighteen-year-old gay son, Pablo. Whilst Pablo blithely studies dance, Juan is hoping that, after twenty-five years at the firm, his boss will consider him for a partnership. When Pablo is badly wounded in a brutal homophobic attack which sees him hospitalised, his father realises just how far they have become estranged. A lack of witnesses and expensive medical bills force Juan to leave the quiet stability of his life for good and reposition himself in a world where there is discrimination. Time and again his efforts come to nought, until one night on the streets of Santiago he makes up his own rules in order to save his son.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Welcome to My World
Musical about two sisters in love with the same man.
The hit musical based on the life of Evita Duarte, a B-movie Argentinian actress who eventually became the wife of Argentinian president and dictator Juan Perón, and the most beloved and hated woman in Argentina.
Mexican love stories follow a dying man, a bullfighter's sister and lovers from feuding villages.
After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Željko, their informal leader, and struggling to keep his repressed secret in the dark.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
Scraping by in a thankless job and suffering from chronic insomnia, lonely twentysomething Sierra turns to the online world of ASMR, where she meets Kate, a streamer whose soothing voice quickly becomes her virtual companion. When the two women meet in person, they discover there’s chemistry beyond the virtual. It’s not long before Sierra becomes increasingly fixated on Kate – which only intensifies when she feels their relationship is threatened.
Cher... and Other Fantasies is a 1979 prime time network special starring singer and actress Cher, featuring songs from her latest album "Take Me Home". In this special, Cher finds herself trapped in a strange building, where various fantasies await her behind every door. The memorable opening number “Aint Nobody’s Business” sees Cher on a tour of fashion from Eve in the Garden of Eden to disco at Studio 54 all while parading in dozens of stunning Bob Mackie creations. There's also a roller skating fantasy sequence and a second Garden of Eden moment when Andy Kaufman shows up as Adam and Cher plays the snake. Elliot Gould guest stars as a painter who resides in the building, Shelley Winters turns up in a skit about acting and Lucille Ball plays a cranky old washerwoman. To date this is Cher's last traditional variety-format special. The program was nominated for a 1979 Primetime Emmy Nominee for Outstanding Costume Design for a Limited Series or a Special for Bob Mackie and Ret Turner.
It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?