A. K.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.

Film o filmu V síti

A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Pixar director Peter Sohn takes viewers on a humorous personal journey through the inspiration behind Disney and Pixar’s feature film “Elemental.” “Good Chemistry: The Story of Elemental” traces his parents’ voyage from Korea to New York, explores his dad’s former grocery shop in the heart of the Bronx, and delves into his choice of a career in animation, rather than the family business.

Making Rat Race

A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Since the early 1990s, Quentin Tarantino has been on a cinematic rollercoaster ride, that's never looked like slowing down, that has cemented himself as one of the worlds most influential filmmakers. Through his unique style, Tarantino carved out a place in Hollywood just for him, and even when others have tried to emulate him, his films stand-out amongst the crowd. And with one movie left before he supposedly retires, we take a look back at the ups and downs of his incredible life on film.

An unflinching and deeply personal journey into the life and work of guitarist Eric Clapton told through his own words and songs.

A feature-length documentary on the life and work of Wisconsin grindhouse cinema auteur Bill Rebane, featuring historians, critics, and filmmakers, plus cast and crew members who worked with Rebane himself.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Making-of DVD for a film of tokusatsu series "Kamen Rider Gaim" starting to be shown at theaters from July 2014. Includes a documentary of the shooting scenery and interviews with staff and cast. Was included as a Bonus disc with Blu-ray version of the film. Complete recording of the filming site of the movie that you can't miss!/Full recording of the filming site of "Theatrical version Kamen Rider Gaim Soccer Great Decisive Battle! Golden Fruit Scramble!" released in July 2014! and interviews with guest cast members such as Masafumi Nakayama and Ainosuke Kataoka!! / Release the making video that will definitely make the movie more interesting than anywhere else!

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.