How did the willful daughter of a Himalayan forest conservator become Monsanto’s worst nightmare? The Seeds of Vandana Shiva tells the remarkable life story of Gandhian eco-activist Dr. Vandana Shiva, how she stood up to the corporate Goliaths of industrial agriculture, rose to prominence in the regenerative food movement, and inspired an international crusade for change.
Why would two New York-based filmmakers dedicate five years of their lives to following three white, Jesus-loving, spandex-clad men from the Bible Belt, particularly when the world of documentary filmmaking has generated its fair share of films concerning sensationalistic religious expression and contact sports in recent years? Because it's not about wrestling, and it's not about Jesus. Against a bizarre and entertaining backdrop, and through a motley cast of characters, we are reminded of what connects us all, lest we forget what it means to be human.
An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
A short companion to Leviathan, set inside the fishing vessel.
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
Ismini (13) often stays over for the night at the house of Komal (12), her neighbor and closest friend. Their friendship has been solid since they were 3. In the year that they will change more than ever, physically and mentally, we are present at their pajamas parties. They are both convinced that nothing will ever change between them. We experience that year as one intimate film night in which they develop from girls into women. Does their friendship change along?
Bim Bam Boom Las Luchas Morenas, is about three Mexican sisters, professional wrestlers, whose lives, lived according to their own ideas, are a struggle but also a lot fun.
In 2015, Dagny Carlsson quickly garnered the attention of millions of Swedes when she started blogging for the first time at age 102. Now at age 106, wanting to experience as much as she can, she accepts an invitation from a Finnish film director who wants her to star in a short film. So, off to Åland she goes!
The Broken Brothers Brass Band visits the Andrés Muñoz Garde public special education school in Pamplona. And through their interaction with the workers, the volunteers and even the beneficiaries, the work that is done there is revealed, the universe that is hidden there.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Documentary on Seattle's Pike Place Market, and those who have saved it from destruction over its first 100 years of existence. Covers the history of the Market, the people who live and work there, and the ghosts who still haunt it.
Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.
Wheels of Fate is a short documentary film about identity, belonging and acceptance. It reflects on Ryan Espadilla's experience immigrating to New Zealand. This film features the euphoria and sanctuary of inline skating as Ryan reveals inner struggles, trials and aspirations as he journeys towards a sense of belonging. It captures observation that speaks to the intricacies of the immigrant experience and the passion of inline skating.
Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.
Dovzhenko and Solntseva's documentary about the Bukovina region.
A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.
Tres instantes, un grito
Wartime documentary by Dovzhenko and Solntseva.
Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.