Ijaazat

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

A veterinarian, Dr. Rao, makes a visit to a village, where he intends to commence a co-operative society dairy for the betterment of the rural people. The film is set against the backdrop of the White Revolution of India (Operation Flood) which started in 1970. It was entirely crowdfunded by 500,000 farmers who donated Rs. 2 each.

Militant bodyguards carry out the assassination of the Indian Prime Minister in 1984.

After a long exile, Rahul returns to his village in the Himalayas. It causes commotion amongst the villagers, who have never forgiven him for his sins in the past.

A molecular biologist's study of the human eye has far-reaching implications about humanity's scientific and spiritual beliefs.

Bare Transit follows the journey of a 23-year-old yoga teacher, Mia, who has travelled back to India from the UK to seek resolution and forgiveness. The film is the debut feature from Irish poet and photographer, O.P. Durkin, and is the first release from creative collective Nodrum. The film was shot in 2019–20 commencing in north India in the mountain town of Minali and continues on a journey in an ancient bus, through the Indian continent to south Goa. The film uses a mixture of professional and amateur actors and crew and was in itself a journey of discovery for all involved. Filming finished just a few weeks before the world and the nature of human interaction changed with the global reaction to the COVID-19 virus. The musical soundtrack comes from the shamanic binaural beats of MEYA.

A donkey strays into a village dominated by the upper caste Brahmins.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods

Dance of sin and morality in the chaotic world of Kanwar pilgrimage that pushes a group of boys to a gray area between right and wrong.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Lakshmi is a thirteen-year-old girl who lives with her family in a small hut on a mountain in Nepal. When the Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's father says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid in the city. Glad to be able to help, Lakshmi journeys to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution...

Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.

The historical rearguard last stand that took place on 13 July 1660 at a mountain pass in the vicinity of fort Vishalgad, near the city of Kolhapur, Maharashtra, India between the Maratha Warrior Baji Prabhu Deshpande and Siddi Masud of Adilshah Sultanate, known as Battle of Pavan Khind.

Kosa is a young boy who lives with his family in the forest heartlands of India. One day, he is picked up by the police. The charge? Kosa’s name is similar to that of a Maoist commander. Will the farcical trial that follows prove his innocence or confirm he’s a criminal?

PANGHRUN is a love story that takes place in this dark age when women could do no more than honor their family name, fall in love with a person chosen for them by someone else, and remain faithful to him at any cost. Inspired by a short story by the renowned poet and author B B Borkar, and directed by Mahesh Manjrekar, PANGHRUN is a tragic tale of love, compassion and ultimate sacrifice one will make, to have a shot at redemption.