Two detectives clash over the hunt for a burlesque dancer’s killer in Los Angeles’ Japanese district.
A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.
A Japanese tourist, Tokio, meets a 15-year-old Hong Kong girl and her grandmother left behind in Hong Kong while their family emigrates to Canada.
Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.
A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
A group of young slackers spend most of their time hanging out in front of a Munich apartment building. When a Greek immigrant named Jorgos moves in, however, their aimless lives are shaken up. Soon, new tensions arise both within the group and with Jorgos.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.
Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.
The unusual friendship between a German embassy employee and a twelve-year-old refugee girl helps both of them rediscover their joy in life, but also brings with it suspicion, corruption and violence.
Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.
During World War II, a secret agent must seduce and assassinate an official who works for the Japanese puppet government in Shanghai.
Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...
Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
Zenjiro (Masaru Shiga) is a lowlife criminal, roaming the country with his merry band of crooks, gamblers and rapists. When he gets done with his latest escapade of banging a samurai's wife, he finds that his love Okoyo (Eiko Matsuda), has managed to be recruited as one of Shogun Tokugawa Ietsuna's (Kantaro Suga) concubines. While attempting to win her back, Zenjiro becomes involved in increasingly murderous palace intrigues.
A junior high school student spends his nights hanging out at the disco. At home his parents are more interested in swapping partners with willing couples than spending time with their son. One evening, while shoplifting, a young woman gives him a hand and helps him pull off the snatch. Mesmerized by the woman he follows her to where she lives. After he makes a fumbled attempt at raping her she lets him stay and they spend a lazy summer together.
A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun. The film focuses on events surrounding Ip that took place in the city of Foshan between the 1930s to 1940s during the Second Sino-Japanese War. Directed by Wilson Yip, the film stars Donnie Yen in the lead role, and features fight choreography by Sammo Hung.
During the Japanese occupation of Shanghai, Chen Zhen, the star pupil of a recently-deceased martial arts teacher battles a Japanese dojo which seeks the demise of his master's fighting school.
This war drama depicts the U.S. and Japanese forces in the naval Battle of Midway, which became a turning point for Americans during World War II.