The Ghosts of Oxford Street

Can there be such a thing as too much Christmas? Find out... when a magical Christmas wish is granted and Elmo gets to see what the world would be like if every day were Christmas! You'll enjoy lots of songs and holiday cheer with Elmo and his new friend Lightning, the reindeer, and discover for yourself why Christmas is best kept to one day a year!

The story of Eugeniusz Bodo, a famous Polish actor and singer, who was at the peak of his career in 1930s.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.

Follow pop provocateur Lady Gaga as she releases a new album, preps for her Super Bowl halftime show, and confronts physical and emotional struggles.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

A colour anamorphic musical look at London's Heathrow airport over 24-hours in November 1971. The subject was shot entirely at Heathrow airport without recording any direct sound. LHR's many layered tracks were all compiled, recorded and laid in post-production.

As KISSology - Vol. 1 (1974-1977) announces loudly, all the chutzpah and bombast that made KISS so huge--the fire-breathing, the blood-dripping, the kabuki-mask make-up and platform shoes, the synchronized head-bobs--were in place from the very beginning. KISS's 1974 concert in San Francisco is virtually identical to their 1977 concerts in Japan and Houston, at the peak of their popularity. For hardcore fans, this opportunity to bask in the nuances of five performances of "Black Diamond" and six performances of "Firehouse" is essential viewing, but for the less committed the pleasures of KISSology lie in the bizarre collisions pop culture is heir to: Gene Simmons, in full costume, declaring himself "evil incarnate" on The Mike Douglas Show;

When Prince comes to the Montreux Jazz Festival, all bets are off. On his third visit to the Swiss Riviera for the 47th edition of the event, he was given carte blanche over three consecutive, sold-out evenings and appeared determined to cover as many bases as possible. The second night featured more dance-centric set with songs like "Cool", "Let's Work" and "Partyup"

Young Rudolph suffers a childhood accident that sees his nose turn from the publicly accepted norm of black to a glowing red colour. His parents worry about him getting teased, and indeed he does in the end. When he is beaten in the reindeer games by his rival for a doe he fancies, Rudolph runs away and moves into a cave with Slyly the Fox. However can he overcome his fear and reach his true potential?

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Concert film of The Police during the 2007-08 reunion tour. Recorded in concert in Buenos Aires at the beginning of December 2007, it’s released on the band’s original label, A&M, via Universal. Recording the Argentinian leg of the band’s momentous reunion tour, the album captures the three piece in concert, crammed with every hit from ‘Message in a Bottle’, ‘Walking on the Moon’, ‘Don't Stand So Close to Me’, ‘Every Little Thing She Does Is Magic’, ‘Wrapped Around Your Finger’, ‘Can't Stand Losing You’, ‘Roxanne’ and ‘Every Breath You Take’, closing with the punk urgency of the first track from their 1978 debut, ‘Next to You’.

Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.

Shot in Cologne, Germany, the Respect Yourself DVD features one of the true great rock voices of all time delivering an outstanding live performance. Set in an intimate setting at the Limelight club, Cocker performs songs from his 2002 studio album "Respect Yourself", which is included in this amazing Special Edition. The DVD also includes an up close and personal interview with Joe Cocker himself.

Released on October 20th 2014 'Raise The Dead: Live From Wacken' is a live album and film recorded at the Wacken Open Air festival on August 3rd 2013. The release includes the whole show but the DVD/Blu-Ray misses 'Revolution' and 'Foxy Lady' from the 'Raise The Dead' covers section of the show. 1. Hello Hooray 2. House Of Fire 3. No More Mr Nice Guy 4. Under My Wheels 5. I'll Bite Your Face Off 6. Billion Dollar Babies 7. Caffeine 8. Department Of Youth 9. Hey Stoopid 10. Dirty Diamonds 11. Welcome To My Nightmare 12. Go To Hell 13. He's Back (The Man Behind The Mask) 14. Feed My Frankenstein 15. Ballad Of Dwight Fry 16. Killer 17. I Love The Dead 18. Break On Through 19. My Generation 20. I'm Eighteen 21. Poison 22. School's Out/Another Brick In The Wall

U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man