Stone

Cosmonauts investigate an asteroid belt between Mars and Jupiter. They believe that it might be the remains of a planet. Parallels are drawn to the Greek god Phaethon, who in Greek mythology was the son of the sun god Helios.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

A randomly chosen name and random scenes shot in two different hours. Monologue (story) adapted later according to name and scenes with "Funkadelic - Maggot Brain".

In 1984 East Berlin, an agent of the Stasi secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.

A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.

A young peasant woman decides to become a tractor driver.

A short film version of the Anton Chekhov story.

A genetically engineered assassin with deadly aim, known only as "Agent 47" eliminates strategic targets for a top-secret organization. But when he's double-crossed, the hunter becomes the prey as 47 finds himself in a life-or-death game of international intrigue.

An RCMP officer is ordered to discreetly take a Russian immigrant into custody in advance of a state visit by the Soviet premier. When the prisoner is kidnapped, the officer is drawn into a complicated assassination scheme.

¿Por qué la gallina cruzó el camino?

Pasamontaña Quemado

Nadveren

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Pandemonium

Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.

A broken memory.

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.