Homicide: Life on the Street

Thames Television

Mystery
English     7.9     1993     US

Overview

Homicide: Life on the Street is an American police procedural television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit. It ran for seven seasons on NBC from 1993 to 1999, and was succeeded by a TV movie, which also acted as the de facto series finale. The series was originally based on David Simon's book Homicide: A Year on the Killing Streets. Many of the characters and stories used throughout the show were based on events depicted in the book, which was also part of the basis for Simon's own series, The Wire on HBO. Although Homicide featured an ensemble cast, Andre Braugher emerged as the series' breakout star through his portrayal of Frank Pembleton. The show won Television Critics Association Awards for Outstanding Achievement in Drama in 1996, 1997, and 1998. It also became the first drama ever to win three Peabody Awards for best drama in 1993, 1995, and 1997. In 1997, the episode "Prison Riot" was ranked No. 32 on TV Guide's 100 Greatest Episodes of All Time. In 2007, it was listed as one of Time magazine's "Best TV Shows of All-TIME." In 1996 TV Guide named the series 'The Best Show You're Not Watching'. The show placed #46 on Entertainment Weekly's "New TV Classics" list.

Similar

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

More info
Polizeiruf 110
1971