Split: Portrait of a Drag Queen

Documentary on the events that took place in Alsasua during the Civil War, with specific reflections on the figure of the parish priest Marino Ayerra, interviews with the people of Alsasua, and general historical comments by the historian Tuñón de Lara.

Extranjeras

We Came Home is the story of Afghanistan through Afghan American musician, Ariana Delawari. Born in LA, the year the Soviets invade Afghanistan, her home's filled with refugees, Afghan music and her father's dedication to Afghanistan, a country nobody else seemed to care about. After 9/11, her parents move to Kabul to help reconstruct. Ariana spends ten years between LA and Afghanistan, documenting her father's homeland in photographs, film and music. During the Taliban resurgence, Ariana records an album with master musicians in Kabul, revealing the challenges of building anything in this country. Ariana experiences firsthand the threat of war and corruption when her father is arrested. Through this, she unexpectedly realizes why her father could never abandon his people. She now understands Afghanistan cannot be forgotten.

In 2011, Pulitzer Prize-winning journalist Jose Antonio Vargas outed himself as an undocumented immigrant in the New York Times Magazine. 'Documented' chronicles his journey to America from the Philippines as a child; his journey through America as an immigration reform activist/provocateur; and his journey inward as he re-connects with his mother, whom he hasn't seen in 20 years.

A documentary on women in St. Petersburg who enroll in a program which will help them land millionaire husbands.

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.

For years, filmmaker Sacha Polak has known that she carries the BRCA1 hereditary cancer gene, responsible for breast cancer, but she can't decide what to do. Does she have her breasts removed as a preventive measure to minimize the risk of developing cancer? What if she had them removed, thus forsaking her femininity, for nothing? Sacha decides to make a personal and open documentary about her search.

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".

Nonfiction filmmaker Jill Morley documents her exploration of the exotic dancer (stripper) experience. Through tactfully selected and edited sequences, you get an insider's view into the job itself, how clubs chauffeur dancers, protect them, what's required of them, how much money they can make, tricks that dancers use to make more money, and keep clients at bay. By trying to work as a dancer, Morley gives the viewer a very personal perspective on the experience. Long-time professional dancers reveal personal anecdotes and feelings about how the job effects them in candid, personal interviews. A group discussion with several dancers is likewise illuminating.

Darwin meets Hitchcock in this documentary. Directors Dan Geller and Dayna Goldfine have created a parable about the search for paradise, set in the brutal yet alluring landscape of the Galapagos Islands, which interweaves an unsolved 1930s murder mystery with stories of present day Galapagos pioneers. A gripping tale of idealistic dreams gone awry, featuring voice-over performances by Cate Blanchett, Diane Kruger, and Gustaf Skarsgard.

A journey through North Russia and Siberia where people have to cope with one of the world’s harshest climates, Zima portrays a reality where the boundary between life and death is so thin that it is sometimes almost nonexistent. In these remote places, civilization constantly fights and embraces nature and its timeless rules and rites. People, animals and nature become elements of a millennial existence cycle where physical and mental endurance are as important as chance and where life and death constantly meet each other.

50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.

The life story of Sir Norman Wisdom, who went from street urchin to become one of the UK's most bankable and loved film stars of the 1950-60s. The documentary pays tribute to his life, featuring family, friends and colleagues.

When his rented lot is snatched up by an opportunistic real estate mogul, Eddie Miranda and his Coney Island ride the Zipper become casualties of a power struggle between the developer and the City of New York over the future of the world-famous destination.

“Finding Hillywood” is an inspirational film about the making of the Rwandan film industry and the power of film to change and heal individuals and communities. It tells the story of how a nation, still healing from the 1994 genocide, creates a film industry as both an outlet for the pain and a way to bring entertainment and a new industry to the population. Hillywood, which is named for Rwanda’s hilly terrain, is a traveling film festival that screens films made by, about, and for Rwandans. The festival goes from town to town, setting up public, outdoor screenings, on inflatable screens, to showcase Rwandan films.

Madame Ondine performs a serpentine dance surrounded by big cats.

The Muslims Are Coming follows a band of Muslim-American comedians as they visit big cities, small towns, rural villages, and everything in between to combat Islamophobia! These Muzzies not only perform standup at each tour stop but create ridiculous interventions in unsuspecting town squares, like the ol' classic, "Ask a Muslim Booth."

Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart.

Folie a Deux is a quintessentially English tale with a universal message. Prophetic and surprisingly humorous, the narrative is driven by a tenacious single mother of seven, who risks bankruptcy and homelessness to fulfill a dream. Shot over five years and set in the oldest house in England. This film is an intimate portrayal of a large bohemian family with all the ups and downs of daily life, an intriguing insight into England's history, and future. This is a nail-biting journey through the economic crash and life's biggest gamble. This is not a story of the conspicuous consumerism of billionaires; rather this is the human cost of the banking crisis.

Compared to girls, research shows that boys in the United States are more likely to be diagnosed with a behaviour disorder, prescribed stimulant medications, fail out of school, binge drink, commit a violent crime, and/or take their own lives. The Mask You Live In asks: as a society, how are we failing our boys?