At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
Despite his adoptive father's warnings that the girl found in the remnants of a destroyed city is too dangerous to be considered anything other than a tool or weapon, Shirou Emiya comes to treat Miyu as a younger sister. But when Shirou relaxes his guard and Miyu starts normal school, the Ainsworth family and their agents swoop in, kidnapping the girl with the goal of sacrificing her! Faced with the realization that Miyu's ability to do good will always be equaled by her capacity for destruction, Shirou must attempt to both rescue his adopted sister, and decide how to confront the threat that her powers will always pose.
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center
A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
Claire and Robert spend most of their time in a house they own in the beautiful and remote countryside in Italy. Their life seems to be perfect. But when Claire's sister gets murdered in the very same house, the traumatic event shakes up their relationship. Disappointment, fear and resentment they swept under the rug for years, resurface. Revealing the dark side of a blissful love - a dream that turns into a nightmare. It is the story of two people trapped in a dark secret.
Gisela is a young wife and mother, living in a working class German Housing Scheme. She is a supermarket cashier, her husband a delivery driver. The marriage is stale but together they are working their way up into the middle class. George and Gisela evidently knew each other as teenagers. They live on the same scheme and George introduces her to his friend Paul. There is instant mutual attraction. Gisela spontaneously goes to a party that they invite her to that evening, where she and Paul begin a sexual relationship.
After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.
A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.
A Danish officer, Michael, is sent away to the International Security Assistance Force operation in Afghanistan for three months. His first mission there is to find a young radar technician who had been separated from his squad some days earlier. While on the search, his helicopter is shot down and he is taken as a prisoner of war, but is reported dead to the family.
A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
A powerful new verbatim play from the testimony of residents at the heart of the Grenfell Tower tragedy. Six years on, interviews conducted with a group of survivors and bereaved reveal the impact of the multiple failures that led to a national disaster, asking: how do we stop this ever happening again?
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.