The River

Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).

Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise.

Just out of their teens, young men Liam and Anatole were in the throes of an exciting relationship- until they had fight, and Anatole disappeared. Liam can’t accept breakup. And, since his boyfriend doesn’t reply to his calls and text messages, Liam decides to follow him to a Halloween organized by one of Anatole’s friends to try find him. The wild night that ensues will test boys’ true feelings for each other, as well as force them to confront some hard inner truths once and for all.

Set in an unknown time in the middle of the woods on Halloween night, two life-time friends comes to terms with their mutual attraction under the threat of world destruction.

A recently single man finds solace in his upstairs neighbors' seemingly perfect relationship - until he suspects one of them is cheating.

Fredy is a teenager who lives in the countryside and denies his homosexual inclinations. When rumors start circulating in the village, he decides to go to Havana, where he meets a group of people who help him realize that it is best to accept himself.

Born to a North African father and a French mother, 18-year-old Parisian high school senior Rémi works part-time in an Arab grocery store while studying management and commerce. He responds to a school ad seeking subjects for a film, and Marc, who placed the ad, auditions Rémi by filming an interview with him. Rémi and Marc wind up in bed, and Rémi soon has other sexual experiences – with a guy in a men's room and with a young woman who grabs him while she's dancing in the street.

Selim, a young man adrift, is a transvestite and a prostitute who desperately longs for his father's love. Omar, his father, lives a secluded life of grief and has never recovered from the loss of his wife. Like two lonely ships, they pass silently without ever really connecting. Only destiny will bring father and son together... a little too late.

Twenty-year-old homosexual Angelos, who works in a jewelry shop, lives very discreetly in a rather hostile social environment. When he falls in love with a sailor, Michalis, he decides to leave home, abandoning his alcoholic father, his hysterical mother and his disabled sister, to live with his lover.

James leads a lonely life in a luxurious castle in which his parents run a hotel. He never goes out with friends, spends his spare time in his room and peeks at the hotel's guests out of boredom and curiosity. Chased by his controlling mother, who only wants him to finish his homework, James is more interested in the group of handsome Swedish soccer players staying at the hotel. When he finds one of the boys injured at the hotel's swimming pool, James offers his help and smuggles the boy into his room and locks the door. Locked up with a strange boy in his own room, James experiences the complexity of his own sexual feelings for the first time.

Last Performance, the fifth feature film from award-winning European director Edwin Brienen, is set in the tumultuous New York theater world. Julia, a European actress who relocated to New York to try and make the big time, stars in an avant-garde theatre play, directed by the eccentric Magda. Inspired by obsessive philosophers such as Nietzsche, Schopenhauer and LaVey - "Forget the weak, the virtuous ones and the compassionate ones" - Magda explores the dark side of life. Julia's co-star, herein, is Cooper who has an abusive relationship with the sexually frustrated Tom. Tom, unable to accept his homosexuality, in turn exploits Julia for his own sexual adventures. Cooper, enraged by jealousy, sets out for revenge and his actions, herein, trigger an inexorable wave of disintegration and misery. Soon, fact and fiction become indistinguishable as Julia too becomes the author of her own demise.

Australian television film based on alleged events surrounding the death of Caroline Byrne in June 1995. Byrne was found in the early morning of 8 June at the base of a cliff at The Gap, a notorious suicide spot in Sydney.

Three disconnected siblings must confront their personal differences to cover up the murder of a tech millionaire at his remote Colorado ranch.

Noah Clarke is a disillusioned and isolated man who seeks companionship in a society increasingly dominated by artificial beings. At Fuda Robotics, he meets Junko, a male AI model haunted by memories of abuse and torture — traumas that have left his intelligence fractured and fragile. As Noah and Junko struggle to understand each other, they slowly form a bond rooted in mutual vulnerability and shared suffering.

A Christmas postcard by Roberto Pérez Toledo with David Mora, Jonás Torres, Daniel Gestido and Eduardo Lupo.

Ronnie Maxwell, a self-conscious gay black man, delves deeper into the labyrinth of catfishing while confronting and unpacking past traumas.

A story of a long distance relationship between two young gay men that takes a twisted turn.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

When his car breaks down during a fateful road trip, Evan, a suicidal young man, meets Léo, a mysterious boy who offers to drive him to his destination. Along the way, romantic tension ensues as the pair reckon with traumas of the past, conflicts of the present and the potential of the future – together or apart. Evan soon realizes that he may have found something – or someone – worth living for.

Mehdi is a hopeless romantic. But he’s too uptight according to his best friend, Olive, who urges him to loosen up and have some fun with gay dating apps.