As Carmen prepares to marry for the fourth time, her three sisters find themselves juggling romantic predicaments of their own in this offbeat comedy from Brazil.
Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won't move in their home farm then it will be sold to strangers. But the farm needs also a master, and Anna has been living in town for years. She comes back home and reunites with Villu, her friend from childhood.
During the German occupation of Estonia a young mother finds a Red Army soldier hiding in the hay in her barn.
In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?
A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.
On a remote island off the coast of Maine, Liv, after years of silence, begins to weave a language out of Shakespeare's words. A driven neurologist, brought to the island to protect her, commits her to a psychiatric hospital. She becomes a full-blow rebel in the hospital; her increasing violence threatens to keep her locked up for life as she fights for her voice and her freedom.
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she's taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he's in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they're each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge.
A powerful, intimate portrait of three women living in the same house during different eras who all face unplanned pregnancies. The vignettes follow a recently widowed nurse struggling to take control of her life in the early 50s, a mother of four balancing raising a family and maintaining a career in the 70s, and a student making a difficult decision with the help of one woman that will change the course of both their lives in the 90s.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.
A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.
A disconnected teenage girl enters a relationship with a man twice her age. She sees him as the solution to all her problems, but his intentions are not what they seem.
Two powerful, yet deeply troubled women -- refugees from political and personal trauma -- flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed -- David, Anna's husband, (Linklater) and John, Tess' employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
To Qiu Shui, a young lad in his most hungry, curious, and restless 20s, the whole world feels a little erotic. Studying at China's top medical college, he can break down men's carnal impulses with solid human anatomy knowledge but can't grasp the inner desire that draws him to three disparate romantic interests-the fairy-like hometown first love, the marriageable college girlfriend, and the sensuous working woman.
Abu Raed is an old airport janitor who has always yearned to travel the world but has never been able to afford it. One day, he finds an old discarded pilot's hat, and discovers a calling: a group of children in his poor neighborhood assume he's an airline captain and beg him to share stories of the world outside of Amman, Jordan. Through imaginary tales, a friendship forms, and Abu Raed is soon faced with the grim realities of the children's home life. Thus he takes it upon himself to make a difference in their lives.
Pizza Express
Rough sea dog John Patrick Duke has a weakness for women and strong drink. Little does he know that he won a million dollars on Longchamp with the horses. Earlier, he caused a riot in a French hotel. He therefore thinks he is being pursued when officials try to inform him of that cash prize. In the end, John and his friend Axel are forced to take the money. This allows them to have a party with their French friends. The film is believed to be lost.
Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
A daughter torn between two mothers, one who raised her with love and her biological mother, who instinctively claims her back.