The Guardsman

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

A haunted-hotel film, reviving a joke from a 1900 comic strip showing a sleeper being ejected from an electric bed.

At a dinner party, a hostess serves her guests a dish made using meat from a bull. While most of them enjoy the meal, one man has a strange reaction: Taking a set of horns off the wall, he attaches them to his head and sets off on a rampage. After destroying the house and terrifying his hostess, her guests, maid, and neighbours, he takes to the streets. The police sends a telegraph to Spain asking for help, and in response a parade of matadors arrive in Paris, ready to slay the crazy beast-man. However, soon after the man-bull fight begins, the errant guest comes to his senses and is taken into custody by waiting policemen.

The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats.

A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.

Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.

A parlor full of bon vivants pass around an enchanted pair of spectacles that “reveal the personality and pleasures of the one who wears them.”

Daisy Jones had been married just a year when her husband failed to kiss her one morning, and she decided that he did not love her any more.

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke's affairs, a series of frantic chases, plots and counter-plots begins.

A young man shows his millionaire grandfather a film based on Molière's play "Tartuffe" in order to expose the old man's hypocritical governess who covets the young man's inheritance.

A lost animated short centered on Oswald the Lucky Rabbit's disadventures in the Moroccan desert. Some drawings survived and were put together in an animated clip.

Suburban neighbors join together to build a garden shed, but through carelessness, wind up ruining the garden, as well as the laundry, which is drying in the yard.

Harold is a bookkeeper who works in an office but can't keep his mind on his job -- the spring weather is too nice to stay indoors. After escaping from his office he romps in the park instead.

In order to claim his inheritance, our hero must first produce a wife and family.

Our vagabond hero dons a lifeguard's uniform and madcap antics ensue on the beach, and in the changing stalls!

A daughter's rich father wants to marry her off to a rich but older man. The daughter has other ideas however and sets out to find a nice young man she can fall in love with.

Glenn's first attempt at wearing long trousers and being a man about town goes swimmingly as he quickly falls for a vivacious young widow who accidentally runs him down. But his father feels she is beyond his abilities and competes for her attention.

Silent about two clumsy glaziers.

A group of girls in al all-girl college dormitory spend a wild night among thieves, cross-dressing boys and wild animals like a man-eating gorilla. Blue Ribbon comedy produced by Joe Rock, directed by Percy Pembroke, starring Alice Ardell and Gale Henry.