Red Apples

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.

A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.

A young Romanian gendarme, Cristi, tries to find the balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. While his long-distance French boyfriend, Hadi, is visiting him, Cristi is called in for an intervention at a movie theatre, where an ultra-nationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

After the revolution of December 1989, Romania is in full transition. Incertainty and chaos have followed Ceausescu's downfall. Fane, a worker in a wharf on the river Danube, is a former dissident who was in involved in politically motivated uprisings. Now that he has achieved what he has fought for, he is unemployed and everything around him seems to fall to pieces. His whole family falls victim to the changes of the early 90s. His daughter prostitutes herself, his elder son ends up in prison and his younger son becomes a thief.

A man is looking for a singer he had heard on cassette. He finds much more.

A desperate husband chases a bus full of beautiful women headed for Paris, France.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

Three young man run in the rain with a borrowed car. The first accident, whose victim is a girl, gives the signal for a race through the city to escape the police crews. Race ends tragically, with another serious incident, even one victim is involved. The only way out is escape. The film shows the psychological transformation of fugitives, in their desperate attempt to evade the consequences and pressures of their conscience.

A pious old man, who is a proponent of suicide attackers, comes to Kabul to visit his only son, who, after the holy war had remained in the Soviet Union. He had enrolled his son in a religious school "to study the Koran and return to the village as a Mullah". In Kabul he learns that his son had decided to become a divine suicide bomber so as to go to Heaven. The film presents two different forces of the inner world of the protagonist father: paternal feelings and the holy religious ideology. The spectator witnesses how he loses his only son and holy belief. Shot in chaotic and dirty Kabul, the film portrays the incorrect interpretation of religion and the conflict of generations.

In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been keeping a terrible secret. Hitchhiking with two men, she was brutally raped in the woods. Although she has kept silent about what happened, she has not forgotten, and her son Órban serves as a living reminder.

Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.

Sasha works for a natural gas company. When his wife gives birth 2 months early, Sasha is searching for money to save the premature baby. Despite this, he refuses to take bribes, which threatens his job and leads to friction with his colleagues. His wife doesn't understand him anymore. Faced with a crisis, Sasha receives an order to install a furnace in a church, where he will have to destroy an icon painted on the church wall. Hoping to save the sacred image, Sasha has to corrupt the system.

From the dungeons of the SARA Production crew comes Bad Apple, a story of power, family, and fruit. Stacy Cavendish slips on a banana peel one day, leading her to discover an age old rivalry that only she can solve. No one is safe from being chewed up and spit out. Try not to go bananas as you watch this twisted, mysterious action-packed drama.

After twelve years of imprisonment by their own parents, two Iranian sisters are finally released by social workers to face the outside world for the first time.

In 1900, a clan attempts to strike a deal with a Chicago industrialist to get him to build cotton mills in their Deep South town.